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CURATOR’s EYE
Fuji and painting in a honeymoon relationship
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E=MC2 (Jan Smeltekop)
Another striking scene in the film is when the main character returns to his parents' house and his family is sitting around the dinner table. Another striking scene in the film is when the main character returns to his parents' house and his family is sitting around the table, but his parents are not really interested in him and barely pay attention to him. The scene shows the protagonist's frustration and annoyance. The scene shows the protagonist's frustration and annoyance as well as the distorted balance of the family. For this scene, I paired Ken Sakamoto's "A Moment". This work depicts a dining table with traces of human remains. The rough atmosphere and the rough-hewn way of drawing the motifs make me feel the danger of the relationship between the people gathered there. The rough atmosphere and the way the motifs are drawn give a sense of the danger of the relationships between the people gathered there. In the film, the protagonist who leaves the table embraces Leila, with whom he has spent the last few days on the road. As the protagonist leaves the table and hugs Leila, with whom he has spent the last few days on the road, the film reminds us of "facing each other and the weight of that fact.
A Moment (Ken Sakamoto)
《7,PM1913. 》(MIZUKI)
The artworks introduced today can be purchased at TRiCERA ART
Écrivain
HA.
E=MC2 (Jan Smeltekop)
Another striking scene in the film is when the main character returns to his parents' house and his family is sitting around the dinner table. Another striking scene in the film is when the main character returns to his parents' house and his family is sitting around the table, but his parents are not really interested in him and barely pay attention to him. The scene shows the protagonist's frustration and annoyance. The scene shows the protagonist's frustration and annoyance as well as the distorted balance of the family. For this scene, I paired Ken Sakamoto's "A Moment". This work depicts a dining table with traces of human remains. The rough atmosphere and the rough-hewn way of drawing the motifs make me feel the danger of the relationship between the people gathered there. The rough atmosphere and the way the motifs are drawn give a sense of the danger of the relationships between the people gathered there. In the film, the protagonist who leaves the table embraces Leila, with whom he has spent the last few days on the road. As the protagonist leaves the table and hugs Leila, with whom he has spent the last few days on the road, the film reminds us of "facing each other and the weight of that fact.
A Moment (Ken Sakamoto)
《7,PM1913. 》(MIZUKI)
The artworks introduced today can be purchased at TRiCERA ART
Écrivain
HA.