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“Black & white cinema. Marilyn #2”“Black & white cinema. Marilyn #2”“Black & white cinema. Marilyn #2”“Black & white cinema. Marilyn #2”

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“Black & white cinema. Marilyn #2”
“Black & white cinema. Marilyn #2”
“Black & white cinema. Marilyn #2”
“Black & white cinema. Marilyn #2”
“Black & white cinema. Marilyn #2”
Bild Ihres Kunstwerks an der Wand
Bild Ihres Kunstwerks an der Wand
Bild Ihres Kunstwerks an der Wand
Bild Ihres Kunstwerks an der Wand
Bild Ihres Kunstwerks an der Wand
Bild Ihres Kunstwerks an der Wand

“Black & white cinema. Marilyn #2”

Wunschzettel

W 27.00cm x H 38.00cm x D 0.10cm

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  • Über dieses “Black & white cinema. Marilyn #2”

    Detail

    Medium

    Malerei (Aquarell Malerei)

    Ausgabe

    Original Artwork

    Jahr

    2022

    Zeichen

    Handsigniert vom Künstler auf der Rückseite der Kunstwerke

    Rahmen

    Ungerahmt

    Beschreibung


    This is the series “Black & white cinema .”
    The portrait painted with two pigments, thanks to which there is a beautiful granulation, bright and expressive contrast.
    In my painting, I use materials and tools of the highest quality, time-resistant- 300g/m2 paper and professional watercolors.

    Watercolor paints by Daniel Smith, Rembrandt Golden Talens., Nevskaya palitra. Watercolor paper 300 g. Arches, Baohong s8

    The work of art is NOT decorated. It will need to be placed in a frame behind the glass. Hang it on the wall in your house away from direct sunlight.

    If you have any questions about this artwork or would like to see more photos of this work do not hesitate to contact me.

  • Über diesen Künstler

    Oxana Luky

    Oxana Luky

    Russian Federation

    Folgen Sie

    Konzept

    In my artistic experiments I work with watercolor and oil, sometimes adding elements of pastel. In my works, I convey not just meanings, but prisms - those very optical distortions that belong to my eye and perception. This is a kind of dialogue of reality with my unconscious, with the imaginary.
    Through subtle nuances of facial features, expressions of the eyes, and body movements, I weave narratives, directly touching the inner world of the portrait's subject.

    A person's body, face and emotions are powerful tools for describing a person inside and out.
    Human forms, gestures combined with looks and movements are an endless fruitful source of inspiration for me.

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