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EarEarEarEarEarEarEar

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Ear
Ear
Ear
Ear
Ear
Ear
Ear
Ear

Ear

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W 43.00cm x H 46.00cm x D 17.00cm

USD $3,536.00

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  • About this Ear

    Detail

    Medium

    Sculpture (Stone carving)

    Edition

    Original Artwork

    Year

    2023

    Sign

    Artists' signature on the back of the artwork

    Frame

    Unframed

    Description

    The work is a sculpture made from a single block of trachyte.
    The work has a convex face with a rough texture, while the opposite side is completely excavated and hollow, with a large crescent-shaped opening behind a fold in the rock which also has a small hole.
    In general, this shape somewhat recalls that of the human ear with one convex and closed side and the other concave and perforated.
    The front roughness therefore gives the idea of weight and solidity, but turning behind you will notice the large voids that give lightness to the work.
    Finally, the holes and openings that allow light to penetrate the heart of the rock.
    To the touch, the work has various types of roughness with some smooth parts.

  • About this artist

    Follow

    Concept

    For several years now I have been working with different media and artistic typologies, simultaneously carrying out different lines of research both in the pictorial field, where I work in thematic cycles, and in the field of plastic arts, ranging from subtractive sculpture with found stone material, to assemblies and installations. , often combining recycled materials and waste.
    In the pictorial cycles the themes are often of a historical-political character and of social denunciation, as in the ""work"" or ""face mask"" cycle with references to the First World War and the Spanish epidemic. The painting technique I use reflects the studies I made on 17th century European painting, both on materials and on operational methodologies.
    While in the sculptural works I operate in a less clear way, always dealing with issues of a socio-political nature but through the use of materials, their recovery and transformation. From waste to aesthetic object not for the simple Duschampian ready-made, but for the manual transformation of the object-waste that is transformed into an aesthetic object with manual and re-creative work as in ""Time machine"".
    I also like to tackle the site-specific, always stimulating for an artist who has to dialogue with a certain context without imposing his will and ego, with this in mind I worked with the methods of land art in works such as ""Golden fish"". Ultimately I try to make the most of my talent to be able to say and make people reflect on some socio-political and cultural issues."

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