The creation of "River Map - Dragon Boy" spanned nearly two years from 2019 to 2020. The creation of this work was a long and tortuous process, from building the skeleton to shaping the clay and then tearing it down and reshaping it. The wandering point is what kind of posture the dragon horse should take in this work, he should not be too fierce nor too quiet, but a kind of restrained power. What I ended up with was the dragon horse bending down on his front feet and getting ready to get up, and the boy sitting on him with his hands on the sword, as if he was sending him some message. The film Avatar inside the Jack tamed the Phantom that no one can master, the harmony between them is also the first psychic communication to establish a neuronal connection, so that each other's power and a lot up. The harmony between the young man and the dragon horse is not only the rhythm of the form but also the connection between the two, a process that cultivates not only the external appearance of the work but also my own heart. It should be a kind of majestic and spiritual movement that is restrained but waiting for the right moment, with a flaming soul inside, which only needs to be internalized in the heart, not outwardly shown in the form. This state is also connected with people. Thus, the young warrior and the dragon horse are integrated into one body.
The sculpture's stylistic language is enough to make people think about it, but when it is combined with the connotation of the work, it takes it to the next level. The chivalrous and righteous spirit of a young man can harness all the restless forces. As the saying goes, one force can't override the savage power of the divine dragon and horse, and the young man and the dragon and horse are choosing their most trusted companion from each other. The sword does not need to be sheathed. When the dragon boy is finished, the image of chivalry in my heart adds a few more fairy and mythical colors.