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Jump rope

Jump rope

W 76.00cm x H 110.00cm x D 26.00cm

USD $987.23

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  • About this Jump rope

    Detail

    Medium

    Sculpture

    Edition

    Original Artwork

    Year

    2022

    Sign

    Artists' signature on the back of the artwork

    Frame

    Unframed

    Description

    Oil on Canvas Cloth Statement: I use a sketchpad to write down the shapes and objects in my memory that impress me on a daily basis. I also have small maquettes as well as two-dimensional sketches. I call them "three-dimensional sketches," and I keep a rough sketch of the subject matter. When I start to work on a canvas, I do not prepare a sketchbook and do not look at it as much as possible, and I begin to apply paint without deciding where I want to land. While painting, I rotate the canvas 90 degrees, turn the top and bottom upside down, and almost erase what I have painted, consciously interrupting the process of "breaking the canvas" several times. In my work, "breaking the screen once" is necessary to prevent the image from becoming rigid and to bring in accidental effects. I also think that one of the most exciting aspects of painting is to think of the next move on the spot, in response to the accidental state of the painting. (This has a lot to do with the fact that I am not good at planning, but...) The reason why I have followed such a roundabout process is that I have felt very suffocated by the stoicism of "the artist can control and manage everything on the canvas. Since all choices on the screen are made by the artist's own judgment, it can be said that the artist controls everything that takes place, or is depicted on the screen, and this is true. However, there are many things that are done "by accident" or "without deep thought. What I am trying to say is that if I try to control everything on the screen, I make a lot of mistakes and lose the energy to create, so rather than saying, "I painted this recently," I try to think of the painting as a trace left by me or someone else. Therefore, I try to view paintings with the lightness of "the screen is a trace left by me or someone else" rather than "I painted it. The same applies to three-dimensional work. For example, I start working to create a cylinder, and the cylinder is completed. The goal from the beginning was to make a cylinder, so the finished product is not impressive or noticeable at all. So I cut it into two pieces and stuff something inside, or turn it inside out like you do when making a drawstring, or crush it and attach it to something else, and so on, again interspersing the "breaking" process. Even after repeating these processes and once I think the work is complete, I try to find a form that I find interesting, deviating as much as possible from my original intention and intention of making the work, for example, by turning a vertical object on its side.

  • About this artist

    Concept

    When I create a work of art, I try to avoid following a plan as much as possible. This is because, at the beginning of the production process, if the work reflects too much of the image or idea of completion that I have in my mind, it often looks trivial. In order to avoid such a situation, the following process is introduced in the production process. For example, ・Turn top and bottom upside down. When 50-70% of the work is done, we partially or completely fill in the area. Use the lining as the front fabric, or turn the stitching edge out. Sewing together discarded canvases (i.e., failed pieces) to make another piece. Cutting a three-dimensional piece and using it as a two-dimensional piece, or vice versa. In this way, by consciously inserting processes that break the context of the previous work, I aim to create works that I could never have imagined by shifting the final image or form, or by honestly following my random feelings.

  • FAQ

    Does this art work need a frame?

    In many cases, art works with a canvas stretched over a wooden frame can be displayed as is. Thin art works other than canvases are easier to frame. For any questions or concerns please chat us.

    Are there other sizes for a similar type of artwork?

    A Depending on the artist, request consultations are available. For any questions or concerns please chat us.

    What kind of hardware should I use for hanging the artwork?

    • If you are concerned about repayment costs, such as when renting a house, wall pins and hooks that do not leave noticeable hole marks are available at major DIY Store and art supply stores.
    • If you want to hang a canvas with a hook, a hook type with a long hooking surface, such as a V-shaped type is recommended.
    • If there is a string on the back of the canvas or the back of the frame, you can hang it with a pin type that has a short hooking surface.
    • For any questions or concerns please chat us.

    What happens after purchase?

    • You will receive an email after we confirm the shipping date with the artist.
    • TRiCERA will arrange delivery and provide tracking information.
    • Our experts will assist you with installation, framing, and other aspects of the installation before arrival.
    • We offer a return policy within 14 days of receipt. (Except for the optional frame orders)

    About Shipping Fee and Return

    Shipping fees will be automatically calculated based on your shipping destination country and the origin country from which the artwork is shipped. You will find the exact shipping cost in step 2 of the checkout page. We, TRiCERA, Inc., will cover any import duties, taxes, or brokerage fees. Returns are free of charge within 14 days of receipt if there is a problem with the artwork.

    What types of payment are available?

    You can use major credit cards (excluding JCB), PayPal, amazon pay, ApplePay, GooglePay. We also accept bank transfers if you are in Japan.

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