In this work, he took up graffiti as a motif, exposing the negative aspects of contemporary society in which numerous images and cities themselves are consumed and repainted with new ones. By using ceramics, a material that has the immutability of remaining as a form for a long time like Jomon earthenware, he cut out the "now" of our contemporary society and created a work that could be a trace. Through physical energy, multi-layered layers, and positive language, the work expresses our reality of living through the accelerating changes and complexities of contemporary society.
