Material: Painted and drawn directly on recycled cans. Climate change, plastic pollution, and other human activities are having a greater and greater impact on nature, and combined with the increase in man-made resources, the amount of usable resources is dwindling. In this context, the series "Organic Concept" is created through the process of upcycling.
Inspiration: The organic drawings are inspired by moss and lichen. Therefore, I named my work "Mosschen" by combining the English words moss and lichen. This work is part of a series called "Organic Concept," which is based on the concept of "bringing the artificial closer to nature. This is an attempt to make the manmade conceptually closer to the natural. It is also part of a series of works called "Blue Erosion," a development of the Organic Concept. Blue is the color of the artist's spiritual world, and by eroding the work with blue, the artist attempts to approach an immaterial existence that transcends both artifice and nature.
Technique: I believe that both artifice and nature are fragile and ephemeral, and so I try to mimic ceramics, which I believe has elements of both. I used light gray for the white to give it depth, and applied a glossy varnish to give it a porcelain-like sheen. The blue drawings are done with a pen and improvised without much thought.
Materials: I painted and drew directly on a recycled can. environmental problems caused by human activities such as climate change and plastic From this point of view, I make the works in this series based on Upcycling. From this point of view, I make the works in this series based on Upcycling.
Inspiration: The organic drawing of this piece was inspired by moss and lichen. That's why I named it "Mosschen". This artwork is from a series called "Organic Concept" with the concept "Getting the artificial close to This artwork is from a series called "Organic Concept" with the concept "Getting the artificial close to nature", and painting a can which is an artificial object into a solid white and drawing Mosschen on it, I try to get the artificial close to nature conceptually. Also it's one of the works of the series "Blues Erosion", which is developped from Organic Concept. For me blue is a color that represents something spiritual and making the work eroded by blue, I try to make it approach to inmaterial existance For me blue is a color that represents something spiritual and making the work eroded by blue, I try to make it approach to inmaterial existance.
Technique: As I think both the artificial and the natural are fragile and ephemeral, I make the works of this series imitating ceramics. I actually use the color light gray instead of white to create a richness and brilliant varnish to give them a brightness like a ceramic. Blue drawing is improvised by only a pen trying not to think much.
