1. materials: painted and drawn directly on recycled canvas Climate change, plastic pollution, and other human activities are having an increasing impact on nature, and in combination with the increase in human population, the amount of available resources is dwindling. In light of this, the artist has created the "Organic Concept" series of works through upcycling. In this work, LEDs are installed on the inside edge of the canvas, so when they are turned on, the holes in the canvas light up.
Inspiration: The organic drawings are inspired by moss and lichen. Therefore, the name Mosschen is a combination of the English words moss and lichen. This work is part of a series called "Organic Concept," which was created based on the concept of "bringing the artificial close to nature. By painting Mosken on a man-made canvas in all white, I attempted to conceptually bring the man-made closer to nature.
Technique: I believe that both manmade and nature are fragile and ephemeral, so I used ceramics, which I consider to be a combination of both elements. The white is a light gray to give it depth, and a glossy varnish is applied to the finish to give it a porcelain-like sheen. The blue drawings are done with a pen and improvised without much thought.
Materials: I painted and drew directly on a recycled canvas. environmental problems caused by human activities such as climate change and plastic From this point of view, I make the works in this series based on Upcycling. This artwork has LED around the interior edge of the canvas, so when you turn it on, the hole brights.
Inspiration: The organic drawing of this piece was inspired by moss and lichen. "Mosschen". This artwork is from a series called "Organic Concept", and its concept is "Getting the artificial close to nature". nature". Painting a canvas which is an artificial object into a solid white and drawing Mosschen on it, I try to get the artificial close to nature conceptually.
Technique: As I think both the artificial and the natural are fragile and ephemeral, I make the works of this series imitating ceramics. I actually use the color light gray instead of white to create a richness and brilliant varnish to give them a brightness like a ceramic. Blue drawing is improvised by only a pen trying not to think much.
