* This artwork is made to order, so the design and form will be a little different from the pictures.
* This artwork is made to order, so the design and form will be a little different from the pictures.
Material: Painted and drawn directly on recycled cans. Climate change, plastic pollution, and other anthropogenic activities are having a greater and greater impact on nature, and in combination with the increase in man-made resources, we are using fewer and fewer resources. In this context, the series "Organic Concept" is created through the process of upcycling.
Inspiration: The organic drawings are inspired by moss and lichen. Therefore, I named my work Mosschen, combining the English words moss and lichen. This work is part of a series called "Organic Concept," which was created based on the concept of "bringing the artificial close to nature. By painting Mosken on an empty can, which is a man-made object, in all white, the artist attempted to conceptually bring the man-made closer to nature.
Technique: I believe that both man-made and natural things are fragile and ephemeral, so I used ceramics, which I consider to have elements of both. The white is a light gray to give it depth, and a glossy varnish is applied to the finish to give it a porcelain-like sheen. The blue drawings are done with a pen and improvised without much thought.
Materials: I painted and drew directly on a recycled can. environmental problems caused by human activities such as climate change and plastic From this point of view, I make the works in this series based on Upcycling. From this point of view, I make the works in this series based on Upcycling.
Inspiration: The organic drawing of this piece was inspired by moss and lichen. That's why I named it "Mosschen". This artwork is from a series called "Organic Concept", and its concept is "Getting the artificial close to nature". Painting a can which is an artificial object into a solid white and drawing Mosschen on it, I try to get the artificial close to nature conceptually.
Technique: As I think both the artificial and the natural are fragile and ephemeral, I make the works of this series imitating ceramics. I actually use the color light gray instead of white to create a richness and brilliant varnish to give them a brightness like a ceramic. Blue drawing is improvised by only a pen trying not to think much.
