In order to perceive and recognize something, it must be captured through its framework. In other words, we cannot directly perceive the object itself, but something exists between us and the object to synchronize them. The approach to the "in-between" between the object and the viewer is subjective, and the "in-between" is expressed in a sculptural way by encasing the motif in resin and then carving it out with a flea. Viewers will recognize the overall form of the work when looking at it from a distance, but when looking at it up close, they will notice that the motif is enclosed. The refracted images of the motifs, fragmented by the sculpted surfaces, are perceived by the viewer as consciously pieced together into a composite image. In other words, the information obtained from the work is transformed from form to image depending on the spatial distance from the work. Gradually, image and form will coexist in the viewer's eye. For this to happen, we must add another volume or texture to the outside of the motif (re:forming) in order to induce a visual effect of distance to the motif. Various materials that appear to be decorative do this. With the above viewing experience, the work simultaneously expresses the viewer's cognitive and spatial "spacing" between the work and the viewer.
