This is one of a series of seven sequentially numbered photographic works entitled "Cosmetics - Guise" (scene 6). It is a series of still-life photographs taken with the motif of a typical 17th century Dutch floral still-life, a painting popular at the time that was painted in large quantities under the name of De Heeme. This series is a series of seven photographs, and the shooting began with the process of building a set, which is not usually shown to the public. Starting with only a vase in the dark, he gradually arranged flowers, and after the set was completed, he photographed and recorded the entire process as the flowers wilted. The 17th century Dutch painter Jan Davis de Heem (1606-84), whose father, Jan Davis de Heem, and two of his sons also painted still lifes. There were many disciples, and their styles are so similar that it is difficult to distinguish whose works they are. There are also several different floral still lifes with the same motifs and similar compositions in several different patterns. Referring to a few of the too-similar floral still lifes, such as "Flowers in a Glass Vase" (1660), the photographing progressed, at one point appearing to be one still life and at another point another still life. On closer inspection, many of the large numbers of flowers no longer in the vase were coming out from behind the vase, and the shadows of the dead flowers were filled with butterflies, butterflies, and other flowers that had died. Also, butterflies and bees are flying around in the shadows of the dead flowers. In the fictional world of the painting, we can see a strange form of beauty that is far removed from everyday life, woven by flowers that are forcibly twisted by a wire.
