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Genius Loci de Paris / 18 Rue Domat, 5e Paris, Ver,2024-GLP029 (1914-2024)

Genius Loci de Paris / 18 Rue Domat, 5e Paris, Ver,2024-GLP029 (1914-2024)

W 21.00cm x H 29.70cm x D 0.03cm

USD $194.40

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  • About this Genius Loci de Paris / 18 Rue Domat, 5e Paris, Ver,2024-GLP029 (1914-2024)

    Detail

    Medium

    Photography

    Edition

    Limited Edition 30

    Year

    2024

    Sign

    Artists' signature on the back of the artwork

    Frame

    Unframed

    Description

    Genius Loci de Paris"... The term "Genius Loci" means "the atmosphere of the land" or "the spirit of the land"... The photographs taken by Atget in 1924 are superimposed on the current ones to reveal the "Genius Loci" hidden in the gap of 100 years, The new image overlays the photo taken by Atget/Ager in 1924 and the photo taken in 2019. Rue de la Doma is located just off the intersection of Rue Saint-Jacques and Boulevard Saint-Germain, heading south from the Ile de la Cité. It is a short street, less than 100 meters long. The street parallels Boulevard Saint-Germain, and the middle 50 meters or so on the north side is a series of five or six old buildings built before the Haussmann renovation. Support (support), materials (colorants, etc.), technique, etc. - The support (support) is made of thick, low-gloss paper specially designed for photographic inkjet printing. Paper size is H210 x W297mm (A4 size). The size of the image of the work should be 90-95% of the paper size, with margins around the image. The size of the image should be 90-95% of the paper size, with margins around the image. (The street corner photographs taken by Atget have the address of the place where they were taken written on the back of the print. Fortunately, many of the street addresses still remain, and the street scenes often remain to some extent as they were in those days. However, the atmosphere there is quite different, and one is forced to wonder what Atget felt there. Many of his street corner photographs are taken with a large-format camera that uses a glass dry plate to correct the perspective of the buildings. The use of this function corrects the way the upper portions of buildings appear narrower than the lower portions. Since the cameras we are currently using do not have a "blurring" function, the images I take are corrected on the computer to bring them closer to the images of the azure buildings. After overlaying the images of Eugene Atget and myself, I then created a composite image by emphasizing the symbolic elements that remained in the two images. Eugene Atget (1857 - 1927) was a French photographer. Born in Bordeaux in 1857, he moved to Paris in 1878 and entered a theater school, but dropped out due to military service. In 1890, he returned to Paris to sell his "documentaries for artists. He restarted his life as a photographer. His systematic photographs of old Parisian cityscapes were purchased not only by artists but also by the Bibliothèque de Paris and the Musée Carnavalet. After his death, Man Ray's assistant, Berenice Abbott, collected his works and later sold them to the Museum of Modern Art in New York in 1968. His work became widely known to the public.

  • About this artist

    Concept

    Concept Horiike's works can be categorized into several groups or genres with different perspectives. One group is based on two techniques of expression, monochrome and color. The other group consists of portraits and still-life photographs of street scenes and people passing by, or portraits taken in a studio while manipulating light. In addition to this, there is the "Homage to Atget" series, which uses a mixture of these techniques. For the past 10 years, Horiike has been working on the "Homage to Atget" series as a theme for the latter half of his life. Now, let us briefly describe who "Atget" is. Jean-Eugène Atget was a French photographer born near Bordeaux in 1857 and died in Paris in 1927. He began his photography career in Paris when he was over 40 years old, and recorded the streetscapes of "good old Paris" that were being lost due to the "Great Reform of Paris by Governor Haussmann," which began in the mid-19th century. In Horiike's "Homage to Atget," he actually visited the streets of Paris where Atget had taken his photographs and photographed them from the same angle as Atget. Then, by compositing the works of Atget and myself on a personal computer, Horiike was able to create a work that depicts "the gap between the time Atget and myself photographed," "the relationship between the images I recorded of Atget and his memories of them," and "the 'earth spirits' that remain in the places where Atget photographed, 100 years later," and how I felt about those "earth spirits. How did I feel? Atget photographed the streetscapes of the "good old Paris" and the people of the city, which were gradually disappearing. What is the important thing that he really wanted to "record"? His real intention was not just to photograph the streets and buildings that were being lost, but to leave behind a record that would remind us of the people who lived there and the things that happened around them. I think he was trying to capture the "real image" and "spirit of the land" that emerged from the past as an event of the era in which he lived, rather than just nostalgia for Paris. I feel the change of the "real image" and the "geospirit" in the Parisian landscape that exists today, and in my composite work with Atget's photographs, I will reconstruct a new space by bringing the "geospirit of Paris" of the 21st century to the surface. With these thoughts in mind, he continues to work daily while changing his composite techniques. He has visited Paris six times for a total of about 60 days, and has photographed at more than 200 Agers locations.

  • FAQ

    Does this art work need a frame?

    In many cases, art works with a canvas stretched over a wooden frame can be displayed as is. Thin art works other than canvases are easier to frame. For any questions or concerns please chat us.

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    A Depending on the artist, request consultations are available. For any questions or concerns please chat us.

    What kind of hardware should I use for hanging the artwork?

    • If you are concerned about repayment costs, such as when renting a house, wall pins and hooks that do not leave noticeable hole marks are available at major DIY Store and art supply stores.
    • If you want to hang a canvas with a hook, a hook type with a long hooking surface, such as a V-shaped type is recommended.
    • If there is a string on the back of the canvas or the back of the frame, you can hang it with a pin type that has a short hooking surface.
    • For any questions or concerns please chat us.

    What happens after purchase?

    • You will receive an email after we confirm the shipping date with the artist.
    • TRiCERA will arrange delivery and provide tracking information.
    • Our experts will assist you with installation, framing, and other aspects of the installation before arrival.
    • We offer a return policy within 14 days of receipt. (Except for the optional frame orders)

    About Shipping Fee and Return

    Shipping fees will be automatically calculated based on your shipping destination country and the origin country from which the artwork is shipped. You will find the exact shipping cost in step 2 of the checkout page. We, TRiCERA, Inc., will cover any import duties, taxes, or brokerage fees. Returns are free of charge within 14 days of receipt if there is a problem with the artwork.

    What types of payment are available?

    You can use major credit cards (excluding JCB), PayPal, amazon pay, ApplePay, GooglePay. We also accept bank transfers if you are in Japan.

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