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Genius Loci de Paris / Rue de Bièvre, 5e Paris

Genius Loci de Paris / Rue de Bièvre, 5e Paris

W 29.70cm x H 21.00cm x D 0.03cm

USD $194.40

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  • About this Genius Loci de Paris / Rue de Bièvre, 5e Paris

    Detail

    Medium

    Photography

    Edition

    Limited Edition 30

    Year

    2019

    Sign

    Artists' signature on the back of the artwork

    Frame

    Unframed

    Description

    Genius Loci de Paris"... The term "Genius Loci" means "the atmosphere of the land" or "the spirit of the land"... The photographs taken by Atget in 1924 are superimposed on the current ones to reveal the "Genius Loci" hidden in the gap of 100 years, A new image overlaying a photo taken by Atget in 1924 and a photo taken in 2019. Atget/Adjeh photographed this street on a rainy day in 1924, three years before his death. It was three years before his death. Looking left at Notre Dame Cathedral and heading east along the Rue Tournelle on the left bank of the Seine. The street that turns south before the Archevêche Bridge, which extends from the eastern end of the Ile de la Cité, is rue Bievres. Two photographs of this street appear in the photo book "ATGET PARIS/HAZAN" (ATGET PARIS/Libroport). One of them was taken from 22 rue Bièvre, facing north. The wet and narrow street shines like a mirror. ◆Support (backing), materials (colorants, etc.), technique, etc. The support (backing) is a low-gloss paper specially designed for photographic inkjet printing. The paper is printed by a printer using 10 color pigment inks (Giclee printing). (Giclee printing) Paper size is H210 x W297mm (A4 size). The size of the image is about 90% of the paper, with margins around the image. The street corner photographs taken by Atget have the address of the place where the photograph was taken written on the back of the print. Fortunately, many of the street addresses still remain, and many of the street scenes are still somewhat as they were in those days. However, the atmosphere there is quite different, and one is forced to wonder what Atget felt there. Many of his street corner photographs are taken with a large-format camera that uses a glass dry plate to correct the perspective of the buildings. The use of this function corrects the way the tops of the buildings appear narrower. Since the cameras we are currently using do not have a "blurring" function, the images I take are corrected on the computer to bring them closer to the images of the azure buildings. After overlaying the images of Eugene Atget and myself, I then created a composite image by emphasizing the symbolic elements that remained in the two images. Eugene Atget (1857 - 1927) was a French photographer. Born in Bordeaux in 1857, he moved to Paris in 1878 and entered a theater school, but dropped out due to military service. In 1890, he returned to Paris to sell his "documentaries for artists. He restarted his life as a photographer. His systematic photographs of the old Paris streets were purchased not only by painters but also by the Bibliothèque de Paris and the Musée Carnavalet. After his death, Man Ray's assistant, Berenice Abbott, collected his works and sold them to the Museum of Modern Art in New York in 1968. In 1968, they were sold to the Museum of Modern Art in New York, and his work was widely disseminated to the public.

  • About this artist

    Concept

    Concept Horiike's works can be categorized into several groups or genres with different perspectives. One group is based on two techniques of expression, monochrome and color. The other group consists of portraits and still-life photographs of street scenes and people passing by, or portraits taken in a studio while manipulating light. In addition to this, there is the "Homage to Atget" series, which uses a mixture of these techniques. For the past 10 years, Horiike has been working on the "Homage to Atget" series as a theme for the latter half of his life. Now, let us briefly describe who "Atget" is. Jean-Eugène Atget was a French photographer born near Bordeaux in 1857 and died in Paris in 1927. He began his photography career in Paris when he was over 40 years old, and recorded the streetscapes of "good old Paris" that were being lost due to the "Great Reform of Paris by Governor Haussmann," which began in the mid-19th century. In Horiike's "Homage to Atget," he actually visited the streets of Paris where Atget had taken his photographs and photographed them from the same angle as Atget. Then, by compositing the works of Atget and myself on a personal computer, Horiike was able to create a work that depicts "the gap between the time Atget and myself photographed," "the relationship between the images I recorded of Atget and his memories of them," and "the 'earth spirits' that remain in the places where Atget photographed, 100 years later," and how I felt about those "earth spirits. How did I feel? Atget photographed the streetscapes of the "good old Paris" and the people of the city, which were gradually disappearing. What is the important thing that he really wanted to "record"? His real intention was not just to photograph the streets and buildings that were being lost, but to leave behind a record that would remind us of the people who lived there and the things that happened around them. I think he was trying to capture the "real image" and "spirit of the land" that emerged from the past as an event of the era in which he lived, rather than just nostalgia for Paris. I feel the change of the "real image" and the "geospirit" in the Parisian landscape that exists today, and in my composite work with Atget's photographs, I will reconstruct a new space by bringing the "geospirit of Paris" of the 21st century to the surface. With these thoughts in mind, he continues to work daily while changing his composite techniques. He has visited Paris six times for a total of about 60 days, and has photographed at more than 200 Agers locations.

  • FAQ

    Does this art work need a frame?

    In many cases, art works with a canvas stretched over a wooden frame can be displayed as is. Thin art works other than canvases are easier to frame. For any questions or concerns please chat us.

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    • If you are concerned about repayment costs, such as when renting a house, wall pins and hooks that do not leave noticeable hole marks are available at major DIY Store and art supply stores.
    • If you want to hang a canvas with a hook, a hook type with a long hooking surface, such as a V-shaped type is recommended.
    • If there is a string on the back of the canvas or the back of the frame, you can hang it with a pin type that has a short hooking surface.
    • For any questions or concerns please chat us.

    What happens after purchase?

    • You will receive an email after we confirm the shipping date with the artist.
    • TRiCERA will arrange delivery and provide tracking information.
    • Our experts will assist you with installation, framing, and other aspects of the installation before arrival.
    • We offer a return policy within 14 days of receipt. (Except for the optional frame orders)

    About Shipping Fee and Return

    Shipping fees will be automatically calculated based on your shipping destination country and the origin country from which the artwork is shipped. You will find the exact shipping cost in step 2 of the checkout page. We, TRiCERA, Inc., will cover any import duties, taxes, or brokerage fees. Returns are free of charge within 14 days of receipt if there is a problem with the artwork.

    What types of payment are available?

    You can use major credit cards (excluding JCB), PayPal, amazon pay, ApplePay, GooglePay. We also accept bank transfers if you are in Japan.

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