What is outsider art? Commentary on history and famous artists!
What is outsider art? Outsider Art is the work of self-taught, unconventional and sometimes lesser known artists...
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Photography
Limited Edition 10
2018
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Unframed
I took straight photography of LCD screens with glitch noise caused by poor contact in the receiver of digital TV with news reports and dramas. By rotating and cropping the data after the picture was taken, the context of the original image was removed. Viewers of idol-less pictures are motivated by a 'desire to read' and project themselves to generate an illusory visual reality.
Media hearsay is an important factor in Homo sapiens' survival as a community, learning and cooperating with strangers, and the mass media that support this mechanism have defined the nature of our perception of reality. In the 20th century, when television was dominant, the information obtained from it standardized the framing of the perception of reality for the majority of society. However, now that the media environment has become deceptively diverse, with vast amounts of photographic imagery distracting us and even clever fake information abounding, the collective experience of humanity is undergoing a profound transformation.
Humans cannot help but filter signals from the sea of noise and weave stories, like connecting constellations. By paying deep attention to trivial facts and errors, doors are opened that lead out of the bright caves and the sun shines through.
Japan
Interested in the pattern structures that commonly occur in invisible systems, he began his photographic expression after working in psychology, infectious disease control, finance and IT. He regards the contemporary media environment as a 'cave wall' and photography as the idol that appears on it, and examines its function as a 'support for a sense of reality' and its impact on human society. He regards the contemporary media environment as a 'cave wall' and photography as the idol that appears on it, and examines its function as a 'support for a sense of reality' and its impact on human society. His method follows the phylogeny of photography, developing from traditional news photography and documentary to 'generative photography' using artificial intelligence. His interest in the pattern structures common to invisible systems led him to photography after working in psychology, infectious disease control, finance, and information technology. He views the contemporary media environment as a "cave wall" and photography as the idol that appears on it, and examines its function as a support for a sense of reality and the impact of technology on the way humans "see" things. His approach crosses the boundaries between news photography, documentary, and "generated photography" by artificial intelligence.
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