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Exhibition: 蟷螂子「KAIJU-目醒め-」
9s Gallery is pleased to present "KAIJU - Awakening", a solo exhibition by Mantisuko from February 14 (Fri) to February 22 (Sat), 2025. Mantis in tokyo #12 "Reconstruction of Beauty Paintings"...
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USD $600.00
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Photography
Limited Edition 10
2012
Artists' signature on the back of the artwork
Unframed
I took this photo in Varca, Goa, India.
A hotel employee was carrying palm branches to repair the guard's house. With these branches, he looked like an angel. He was walking on a bridge that has a beginning but no end in sight.
____________________________
One print is kept in the collection of the State Russian Museum of St. Petersburg.
AWARDS:
2014 — finalist of the 3rd Museum Biennale of Contemporary Photography at the Russian Museum, St. Petersburg, Russia.
GROUP EXHIBITIONS:
2019 — ANTIBIENNALE IV, Central House of Artists, Moscow, Russia.
2016 — final exhibition of the 7th Open competition of black and white photography named after N. I. Kostylev, Lysva, Russia.
2014 — final exhibition of the 3rd Museum Biennale of Contemporary Photography, Marble Palace, St. Petersburg, Russia.
FAIRS:
2021 — Art Fair of Contemporary Art "Art Russia Fair-2021", stand D20, Gostiny Dvor, Moscow, Russia.
2020 — participation in the installation "World Is Beautiful” (author Alexander von Busch), Contemporary Art Fair "Art Russia Fair-2020", Gostiny Dvor, Moscow, Russia.
2020 — art fair "All you need is art", space "Crystal" (organizer – Auction house "Litfond"), Moscow, Russia.
Russian Federation
Photographer Elvira Kovrigina travels around the world and captures its shades. Her genre works
mentally transport the viewer to the most different corners of the planet, showing her non-trivial
side. After all, the place and sights often remain the background, which depicts the main character —
a person.
Elvira tries to reduce the psychological distance between herself and strangers with the help of
photographic equipment. One frame of it, like a film frame, is able to tell a whole story, immersing
the viewer in the world of depicted characters and landscapes.
Elvira prefers black-and-white photography, believing that if color is not important for understanding
the scene, then the work can be presented in monochrome.
It is not surprising that Elvira's favorite photographer is Henri Cartier-Bresson, thanks to whom
documentary photography was once elevated to the rank of art.
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