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0724-11_s1 - La Parva - Lo Barnechea - Chile0724-11_s1 - La Parva - Lo Barnechea - Chile

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0724-11_s1 - La Parva - Lo Barnechea - Chile
0724-11_s1 - La Parva - Lo Barnechea - Chile
0724-11_s1 - La Parva - Lo Barnechea - Chile
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

0724-11_s1 - La Parva - Lo Barnechea - Chile

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W 100.00cm x H 100.00cm x D 0.10cm

USD $8,000.00

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  • About this 0724-11_s1 - La Parva - Lo Barnechea - Chile

    Detail

    Medium

    Photography

    Edition

    Limited Edition 5

    Year

    2003

    Sign

    Signed certificate

    Frame

    Unframed

    Description

    Description:
    Printed with a 12 inkjet printer over Hahnemühle canvas. Signed certificate of authenticity.

    Story:
    During our winter vacations, I would have a day for my photography, as agreed with my wife. I left mid-morning to a valley not far from the road at La Parva. It took me a long time to get to the small waterfall with ice just 30 meters away as had deep snow.
    Although I took good boots, the snow made its way into the boots. After standing two hours, my feet got frozen and had to end the photography outing.
    On my way back, I took this photograph of the frozen water on the road.
    This image was digitally solarized using the The Sabattier effect is a technique developed by Armand Sabattier in 1860. He altered the normal densities of a photographic image giving a touch of light during the development, also called solarization. It was primitively used for black and white plates, nowadays, in the case of the color it produces unreal colors and images.

  • About this artist

    Follow

    Concept

    I am a passionate photographer, blessed with curious eyes that are constantly amazed by the forms and designs produced by water, and the combination of its temperature and light. No matter how many pictures I take of the same shot, every time I witness a very different expression.

    My camera and I have been traveling around the world since 1977, registering its shapes and essence, which I have been sharing through large prints, as an homage to its abundance, fragility and essential existence; trying to convey the feeling I had at the time of the capture, most of the time in color and sometimes in monochrome.

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