In this series, the picture is fragmented in irregular shapes, and each fragment is also pined down into the acrylic. The entire photographic image is held in different dimensional levels. The fragmentation depends on the physiognomy and facial lines; these are the lines that make the experience, guiding me to make the cut. A life history that is marked on the body gives birth to the visual decomposition.
From an internal dialogue emerges a symbiotic relationship between form and space, beauty and pain.
It speaks of emptiness, lost fragments. The representation of these images become allusions to female identity, existence and feelings, but with a frivolous sense where the body becomes skin, the body becomes an object, is a preserved product -like an insect collection-.
