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Bidon Circus, PétrolinaBidon Circus, PétrolinaBidon Circus, PétrolinaBidon Circus, PétrolinaBidon Circus, Pétrolina

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Bidon Circus, Pétrolina
Bidon Circus, Pétrolina
Bidon Circus, Pétrolina
Bidon Circus, Pétrolina
Bidon Circus, Pétrolina
Bidon Circus, Pétrolina
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

Bidon Circus, Pétrolina

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W 50.00cm x H 69.00cm x D 2.00cm

USD $728.00

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  • About this Bidon Circus, Pétrolina

    Detail

    Medium

    Photography

    Edition

    Original Artwork

    Year

    2008

    Sign

    Artists' signatures on the front of the artworks

    Frame

    Glass frame

    Description

    In 2008, I followed the Cirque Bidon, a travelling circus with horse-drawn trailers and an open-air big top.
    Petrolina, whom I photographed, was the circus clown.
    The photograph was taken with a lomo fisheye and TriX black and white film. After printing my photo in the darkroom on baryta paper and turning it sepia, I colored it with inks and brushes.
    I worked the frame according to the image, it underlines the roundness of the print and makes it a unique work.

  • About this artist

    Follow

    Concept

    My approach begins with the encounter with the moment, the atmospher, the person or persons who are the ingredients of an inspired staging. When my index finger presses the shutter release, when the "clic" is heard, it is a whole world, the whole future of this scene, this fraction of a second that i visualise, the coloring itself is already envisaged.
    Working in silver is the choice of suspense, of patience... as long as the film is not developed there is a part of mystery...
    In the heart of the darkroom, i make yhe photo my own, a certain intimimacy is created. In the half-light illuminated by the red light, the image slowly appears in black and white in the developer tray. The colors that i will apply later on are setting up in my mind.
    After tipping the photographs into timeless sepia, the pictures take a certain softness from which emanates a particular tenderness.
    Then comes the touches of watercolor ink applied like a delicat makeup.
    The colorization is the extension of my emotions, the choice of colors is the result of the experience of all stages. The link between the frame and the image is emotion, patience and unity.
    Marie Burel , Colorist Photographer

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