Automatic World
World Automatic Rainbow Pyramid /Combined Pyramid Gold Grid
An Automatic Painting work based on the rainbow pyramid that often featured in meditation.
The cut patterns for money bills was changed from squares to triangles. The rainbow colours and gold leaf condense the essence of the mysteriousness of Automatic Painting with the colour of medium material.
There is no doubt that modern civilization is based on the power of Egyptian civilization. We can tell from their highly sophisticated architectural art that they possessed technology and philosophy that are beyond the understanding of modern humanity.
I saw the history of civilization in the stacking banknotes when I placed them with the Automatic method. The pyramid-shaped banknotes that mixed and placed to support each other look if it summarizes the history of tradings and interactions between nations.
The colours of the bill chips are playing a role together like a rainbow. The chips were not painted later, but were made with the bills in the beginning and shuffled later. It was the first attempt to try this process. It was a coincidence, but an inevitable one, that the work gives the impression of Egyptian art from its colour pattern.
*Here is the summary from my private exhibition “Automatic World 2019” which this work was premiered.
This time, I tackled on updating the Automatic Painting with money bills series. Automatic Painting is a new type of collaging which I invented. It includes real money bills that are cut into same-shaped pieces, mixed and shifted, and chosen without a look. It is a unique technique that creates an effect of visual patterns created without making visual judgments.
It has started with USD bills which is easy to access and it has developed as a “World Automatic” series as diverse money bills from a hundred countries have been brought into the artwork later on.
This time, I added the elements of the non-constrained artform, as opposed to the paintings which are restricted into square or rectangle, to the visual effects and modelling essence of my “World Automatic” series. It is developed in both representational art form (person and landscape) and abstract art form (geometric pattern).
I had an opportunity to discuss my artwork with the Deputy Director of the 21st Century Kanazawa Modern Art Museum at the opening event of my exhibition. He gave me interesting insights into the virtuality of money. According to him, my artwork has a wave frequency from the virtual world.
I interpreted his comment as pointing out that the history of civilization created with currencies themselves are the virtual worlds created on earth by the human. Indeed, this artificial and civilized world can be translated as the virtual world that is realized physically because it exists unnaturally. Human cognitive system work as the engine and the currency work as the gasoline of this materialistic civilization.
He says, “This abstract art with money bill is a tool to visualize the virtual world created by human”, and “It is an art that reverses the usage of money.” It was a new point of view for me. He also says, “I feel as if the world has stopped for a moment when I see these disabled bills. Meaning that a second in the virtual world and the enormous amount of human energy is captured in still art. There can be numerous ways to understand this art because it mixes banknotes from all over the world.
There is a type of energy like an electric wave in it due to its Op Art-like placement patterns. It makes the audience feel that something is happening right in front of their eyes. Also, when it comes to the human-shaped artworks, it depends on the audience to understand it as a painting or a sculpture.” I personally think of this artwork as a painting as it is rather flat but some might say that it is a sculpture as it could be understood as a type of relief art.
As I am launching and developing this series of art with money bills, it was a significant time in my career to receive feedback on my unique material and expression. It inspired me and motivated me greatly in order to explore the possibility of my art. When I use themes such as society or the world, I mean to include areas surrounding society and social systems. My vision is conceived on the balance among nature, earth, human thoughts and subconscious, collective conscience, the universe, and energy.
