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Harvesting (persimmon)

Harvesting (persimmon)

W 19.00cm x H 24.00cm x D 0.10cm

USD $200.00

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  • About this Harvesting (persimmon)

    Detail

    Medium

    Painting (Watercolor painting)

    Edition

    Original Artwork

    Year

    2023

    Sign

    Signed certificate

    Frame

    Unframed

    Description

    Persimmon season came and you can see bright orange fruits here and there.
    No one picked them so very special guests appeared.
    Are they kind friends who came to help or just intruders?
    Have they come from somewhere far away or just appeared in the air from the parallel universe?
    There is some ambiguity in this piece and the author wants the viewer to take a guess, ask questions, doubt and think about the atmosphere and the mood of this artwork instead of just accepting the author’s explanation.

    The artwork is painted in limited color palette with orange and blue being the main colors. Orange and blue are complementary (opposite) colors of the color circle, which when mixed cancel each other but placed next to each other create the strongest contrast. That also emphasizes ambiguity of the artwork.

    ***
    Original watercolor artwork on acid-free 100% cotton paper, made with professional watercolors.
    Signed front and back, certificate of authenticity attached.

  • About this artist

    Concept

    I find subjects for my art in my everyday life in Japan and during trips, I’m hugely inspired by architecture, nature and culture of this beautiful country.
    Painting is not only an image but a story, so the viewer could look into it and feel the wind in sakura branches, touch the wood of an old house that stayed there for the centuries, dive into calm and modest atmosphere of the old Japanese shop or restaurant.
    
I paint only what I've seen in real life, en plein air or in my studio from photos that I take during walks and trips. Though I don’t limit myself with media but found watercolor with its transparency and lightness to be the most challenging and suitable for me at the moment.

  • FAQ

    Does this art work need a frame?

    In many cases, art works with a canvas stretched over a wooden frame can be displayed as is. Thin art works other than canvases are easier to frame. For any questions or concerns please chat us.

    Are there other sizes for a similar type of artwork?

    A Depending on the artist, request consultations are available. For any questions or concerns please chat us.

    What kind of hardware should I use for hanging the artwork?

    • If you are concerned about repayment costs, such as when renting a house, wall pins and hooks that do not leave noticeable hole marks are available at major DIY Store and art supply stores.
    • If you want to hang a canvas with a hook, a hook type with a long hooking surface, such as a V-shaped type is recommended.
    • If there is a string on the back of the canvas or the back of the frame, you can hang it with a pin type that has a short hooking surface.
    • For any questions or concerns please chat us.

    What happens after purchase?

    • You will receive an email after we confirm the shipping date with the artist.
    • TRiCERA will arrange delivery and provide tracking information.
    • Our experts will assist you with installation, framing, and other aspects of the installation before arrival.
    • We offer a return policy within 14 days of receipt. (Except for the optional frame orders)

    About Shipping Fee and Return

    Shipping fees will be automatically calculated based on your shipping destination country and the origin country from which the artwork is shipped. You will find the exact shipping cost in step 2 of the checkout page. We, TRiCERA, Inc., will cover any import duties, taxes, or brokerage fees. Returns are free of charge within 14 days of receipt if there is a problem with the artwork.

    What types of payment are available?

    You can use major credit cards (excluding JCB), PayPal, amazon pay, ApplePay, GooglePay. We also accept bank transfers if you are in Japan.

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