Mechanics of image absorption

Concept

First of all, in my art, I explore human nature. Thoughts, feelings, and reactions of a person to the issue I have chosen. Sometimes, this statement can be about a particular feeling or a set of feelings. I independently studied psychology (based on the works of L. S. Vygotsky) and was particularly interested in nonverbal psychology. This is how I started my career as an artist-by trying to portray reactions artistically.
I chose symbolism, surrealism and avant-garde as the main tools, a kind of foundation on which I tried to create my own, unique style. And mostly graphics, because I like its accuracy. Also, I am somewhat excited about the irremediability in the graphics. In contrast to painting, in graphic work (thought out storyline and figuratively) there are moments where I can make an irreparable mistake. So every work, for me, is to some extent a risk, a game of fragility.
Often, one of the tools I choose is a gel pen. Because with it, you can create a texture in the spots that I paint over. The direction of the stroke, the grooves on the paper, all have a compositional meaning. Unfortunately, this can only be seen live. The photo does not convey this well.
I strive to ensure that the viewer can follow the composition inside the work, so that it attracts him and creates movement. For example, in the work "Dances of the Spirit", the composition leads the viewer from the lower left corner directly to the upper right, then collapses down and smoothly returns to the beginning.

To sum up, I try to dissect the emotionality of people with my work and make sure that each work is not unambiguous in its meaning. So that the viewer can repeatedly re-open it and enjoy these discoveries.