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Exhibition: 蟷螂子「KAIJU-目醒め-」
9s Gallery is pleased to present "KAIJU - Awakening", a solo exhibition by Mantisuko from February 14 (Fri) to February 22 (Sat), 2025. Mantis in tokyo #12 "Reconstruction of Beauty Paintings"...
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Painting (Pastel painting)
Original Artwork
2025
Artists' signatures on the front of the artworks
Unframed
This pastel painting is showcasing a central arrangement of a whole lemon and two wedges. Behind the lemon sits a bright orange, adding warmth and balance. To the right, a light blue vase holds a twig adorned with vibrant green leaves and red berries, arching gracefully over the scene like a protective canopy. The composition rests on a blue surface, contrasting with a deep black background.
The painting symbolizes harmony and protection, with the arched twig creating a sense of enclosure and unity. The vibrant citrus fruits represent energy and vitality, while the red berries and leaves introduce elements of natural abundance. The blue vase and background add a calming effect, balancing the energy of the scene. Together, the elements evoke a sense of stability, nurturing, and the cyclical beauty of nature.
Soft pastels on Pastelmat.
Shipping via DHL, packed in a transparent sleeve between two layers of lightweight foam board and in a cardboard box. Instructions for proper framing included.
Germany
From the very beginning of my artistic activity, I was always committed to realism. Abstraction or complete non-objectivity were never an option for me.
In my early years I had an inclination towards the fantastic realism of the Vienna School, which I gave up after a while. Reality was and is always fantastic enough for me.
In the 1990s I turned to photorealism. A photo represents a certain type of reality that fascinates me. A photograph comes no closer to reality than any other form of pictorial representation; it is always as subjective as the gaze of the person looking through the viewfinder.
But photography contains information in the density that I need for my painting.
Art is a process that initially penetrates from the outside to the inside, is filtered and processed by the brain and radiates back to the viewer via the work of art.
The viewer does not necessarily have to have the same mental experience as the artist, since the same process of perception takes place in the viewer from the outside in with the filtering through the brain and the experiences they have had up to that point. Each viewer may come to a different conclusion regarding the work being viewed.
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