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oobaehanadangai
oobaehanadangai
oobaehanadangai
oobaehanadangai
oobaehanadangai
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

oobaehanadangai

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W 26.50cm x H 38.50cm x D 0.20cm

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  • About this oobaehanadangai

    Detail

    Medium

    Painting (Pastel painting)

    Edition

    Original Artwork

    Year

    2004

    Sign

    Artists' signature on the back of the artwork

    Frame

    Unframed

    Description

    Work #140 "Oobaehana Cliff" View of the Oobae Lighthouse (old lighthouse) from below the cliff on Ikitsuki Island, Hirado City, Nagasaki Prefecture. (Sketch of the site) Oil crayon (oil pastel) on handmade Japanese paper The original drawing method, KOOSAIHO, uses nine colors of oil crayon (oil pastel), adding white to the eight colors of the rainbow (the seven colors of the rainbow and red-purple), concentrating on each color of the rainbow that permeates nature, and rubbing each color with the belly of the finger. The artist rubs one color on the belly of the finger, overlaps the colors in a unique order, smashes them with oil, rubs, and scrapes to create depth in the layering of colors and bring them closer to the colors of the natural world. The red bridge across the northernmost part of Nagasaki Prefecture in Kyushu, Japan, leads to the island of Hirado. Across the bridge, you will see the sky-blue bridge, which leads you to Ikitsuki Island. He fell in love with the nature of Ikitsuki and moved to the island, where he has continued sketching ever since. All of his works are one-of-a-kind. The impression changes depending on the location (light source) of the viewer due to the layering effect of rainbow colors.

  • About this artist

    Follow

    Concept

     KOOSAIHO, a unique drawing method, is based on the idea of breaking down. The act of painting is a way of releasing the ties of the self and turning one's attention to the unlimited world, or the natural world, by destroying the world as it is limited by the self.

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