Ballet Class. Little Girl in the Back Row

Concept

Free, rough brushstrokes intertwined with a sensitive and sincere narrative embody the unique harmony of opposites that defines my art.

My aim is for my paintings to be vibrant, transparent, and evoke positive emotions. I exclude pure black from my creative process, opting instead for a palette of lighter tones and brighter colors, painting with oil on canvas.

The wet-on-wet technique lends spontaneity and energy to my work. With this method, the main layer of the painting must be completed before the first strokes begin to dry. While the paint remains wet, I can easily introduce new colors, alter shapes, and blend objects and their edges. My work process is dynamic, often unfolding in unexpected ways. I revel in the fact that the end result is always unique, infused with my thoughts and emotions at the time. The limited timeframe for completing each piece pushes me to work precisely, minimize errors, and fully immerse myself in the process.

The scope of my paintings is broad, encompassing still life, animalism, and figurative art. However, I find the most enjoyment in painting portraits. I am captivated by how the rough strokes of a palette knife (mastichin) magically transform into living individuals, each with their own personalities and moods.