5%OFF & free shipping 1st purchase

FIRSTART5

10%OFF 2nd purchase after 1st purchase!

呼応 Ⅳ

呼応 Ⅳ

W 190.00cm x H 171.10cm x D 5.90cm

USD $3,889.09

Add To Cart
Make an Offer

Similar Works Viewed by Other Users

  • About this 呼応 Ⅳ

    Detail

    Medium

    Painting (Oil painting)

    Edition

    Original Artwork

    Year

    2014

    Sign

    Artists' signature on the back of the canvas

    Frame

    Unframed

    Description

    Correlation IV, 2014, Ink, oil, alkyd on hemp, cotton-hemp canvas, 171.1 x 190 x 5.9 cm (67.4 x 74.8 x 2.3 in)

    This work combines two supports.
    The left side is made of cotton hemp, and the right side is made of alkyd on hemp (back side of canvas).

    By painting on these two different fabric supports by myself, I give completion to the work and it becomes one piece.
    He added, "By leaving the fabric of the support, the sense of materiality with the painted areas becomes stronger, as if I have made a collage.
    The main theme of the work is that the support, which is the "reality," is contrasted with the depth (illusion) of the painting, which is the "emptiness," and that the two move back and forth between each other's realms.

  • About this artist

    Concept

    The relationship between emptiness and reality," - a new connection between the spatiality (illusion) and materiality of painting.

     A common theme in my work is the relationship between emptiness and reality, as they move back and forth between each other. Emptiness" refers to "the image on the screen and spatiality (depth) = illusion," while "reality" refers to "materials such as support and paint, as well as actual space. The more realistically you paint the image and spatiality on the screen, which is the "imaginary," the closer you get to the "real. Inversely, the more real the support and paint, which are the "real" things, become, the closer they become to the "imaginary" things, a structure common to all paintings.
    In the case of my work, I move back and forth between these boundaries. For example, my theme is related to the Taiji diagram related to my research on the origin of landscape painting when I was a student, and to Eastern thought such as Laozhuang philosophy and the Tao.
     To use a familiar analogy, let's say you cut a fruit or vegetable in half with a knife. This "half" can be defined as anything, but it is naturally divided into two halves. However, they are not actually "true halves. This is because there are fibers, etc. adhering to the knife. Thus, there is something that is lost by dividing the two halves. It is an event that we do not usually recognize. By dividing things, we can analyze and systematize them. On the other hand, "the part that is originally present, which cannot be said either way," is lost.

     However, I am not denying the act of dividing itself. For example, in modernism, we can paradoxically understand the value of what was lost because we were able to analyze, rationalize, and systematize by dividing. The Chinese character for "divide" can also mean "understand. This is also very paradoxical, but it is only possible because we have each other. It is because I have divided and analyzed various things that I am able to look at the "lost relationship" today, and express and present that relationship itself.

  • FAQ

    Does this art work need a frame?

    In many cases, art works with a canvas stretched over a wooden frame can be displayed as is. Thin art works other than canvases are easier to frame. For any questions or concerns please chat us.

    Are there other sizes for a similar type of artwork?

    A Depending on the artist, request consultations are available. For any questions or concerns please chat us.

    What kind of hardware should I use for hanging the artwork?

    • If you are concerned about repayment costs, such as when renting a house, wall pins and hooks that do not leave noticeable hole marks are available at major DIY Store and art supply stores.
    • If you want to hang a canvas with a hook, a hook type with a long hooking surface, such as a V-shaped type is recommended.
    • If there is a string on the back of the canvas or the back of the frame, you can hang it with a pin type that has a short hooking surface.
    • For any questions or concerns please chat us.

    What happens after purchase?

    • You will receive an email after we confirm the shipping date with the artist.
    • TRiCERA will arrange delivery and provide tracking information.
    • Our experts will assist you with installation, framing, and other aspects of the installation before arrival.
    • We offer a return policy within 14 days of receipt. (Except for the optional frame orders)

    About Shipping Fee and Return

    Shipping fees will be automatically calculated based on your shipping destination country and the origin country from which the artwork is shipped. You will find the exact shipping cost in step 2 of the checkout page. We, TRiCERA, Inc., will cover any import duties, taxes, or brokerage fees. Returns are free of charge within 14 days of receipt if there is a problem with the artwork.

    What types of payment are available?

    You can use major credit cards (excluding JCB), PayPal, amazon pay, ApplePay, GooglePay. We also accept bank transfers if you are in Japan.

Other Artworks by Artist

  • Roentgenpainting 63

    Roentgenpainting 63

    $1,138.61

  • Fusion ⅩⅢ

    Fusion ⅩⅢ

    $448.86

  • Fusion ⅩⅣ

    Fusion ⅩⅣ

    $4,488.61

  • 集積するリズム Ⅱ

    集積するリズム Ⅱ

    $3,889.69

  • 呼応 Ⅲ

    呼応 Ⅲ

    $10,769.80

  • 集積するリズム Ⅳ

    集積するリズム Ⅳ

    $1,735.13

  • 回転のリズム Ⅱ

    回転のリズム Ⅱ

    $1,737.53

  • 呼応 Ⅳ

    呼応 Ⅳ

    $3,889.09

  • 浮

    $1,495.80

  • 大海を知る Ⅱ

    大海を知る Ⅱ

    $1,197.84