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IN THE BIRCH FOREST

IN THE BIRCH FOREST

W 70.00cm x H 60.00cm x D 4.00cm

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  • About this IN THE BIRCH FOREST

    Detail

    Medium

    Painting (Oil painting)

    Edition

    Original Artwork

    Year

    2023

    Sign

    Artists' signature on the front of the canvas

    Frame

    Unframed

    Description

    Human lives endlessly fluctuating from the inner to the outer. But this state is always at the limit. He will never be able to fully understand who he is. After all, even the most intimate in us comes from outside. A person is always not only an individual, but also an environment for others.

    This series of works was inspired by the birch bark. She reminds me very much of human lives. Their endless chain, one after another, someone nearby, someone above, someone below. But wherever you are, you are always somewhere in the middle, because no one knows exactly where this chain begins and where it ends.

    We live in a world where we may not know anything about a person. Even the birch landscape is conditional, perhaps not even real. And its virtuality thereby makes it accessible to everyone. For everyone and always. We are in endless systems.
    We live in a filter world. Transmitting ourselves into the world, we use non-existent, conventional places. These conventional landscapes are available to everyone, but they are not real, but maybe real. My birch forest is a convention, and a person walking through it merges with it, turning into an environment.

    The work is done on premium quality linen canvas. The ends are a continuation of the painting. Gallery stretch canvas on a stretcher, 4 cm thick.

  • About this artist

    Margarita Ivanova

    Margarita Ivanova

    Russian Federation

    Concept

    The theoretical platform of my artistic practice is metamodernism and new sincerity. I define my main method by the term "oscillation". I explore the fluctuations between inside and outside, personal and collective, between the system of community and the system of the subject. I work outside the rigid boundaries of the anthropogenic or the material.
    In my works, I do not transmit meanings, but prisms, the very optical distortions that belong to my eye and perception.
    I do not paint portraits or landscapes, I do not try to formulate a question or an answer, but I create a reason to doubt the usual interpretation of the real. In this, I am guided by the specific modulation of surrealism by Rene Magritte, with his visionary entry into the logic of conceptual art and even further into the logic of oscillation.
    In my works, an active background, a pause or emptiness are full-fledged, active elements of the pictorial language. What is reality within the picture, and what is a dream? In fact, no final conclusion is foreseen. With each new meeting with the picture, you will have to redefine: what is really the object of the image?
    I refuse to broadcast a constant idea - this is just another aspect of reality, another combination of optical distortions.
    Following the principle of aesthetic economy, I compensate for the endless variation of combinations by carefully measuring the midpoint of oscillation, keeping within an ascetic color palette. In my work, spots and lines are never random. The idea as the most expressive part of my work can be spontaneous, it is the most expressive part of my work, but the process of implementation requires rigor, almost drawing. I use a kind of "mathematical" approach to graphics that I learned from my architectural background. Graphic markup is another category of work with optics, a critical rethinking of geometric perspective as an imposed, already too ideologized visual filter.
    The dimensionality of the technical and technological process allows me to design alternative optics, explore reflex impulses and oscillations within the chosen binary opposition, coordinate system, marking. Any failure in this case is evidence of how exactly the optics works, as if its imperfect trace. Error is an element of the structure, the system of concepts through which we perceive the world.

  • FAQ

    Does this art work need a frame?

    In many cases, art works with a canvas stretched over a wooden frame can be displayed as is. Thin art works other than canvases are easier to frame. For any questions or concerns please chat us.

    Are there other sizes for a similar type of artwork?

    A Depending on the artist, request consultations are available. For any questions or concerns please chat us.

    What kind of hardware should I use for hanging the artwork?

    • If you are concerned about repayment costs, such as when renting a house, wall pins and hooks that do not leave noticeable hole marks are available at major DIY Store and art supply stores.
    • If you want to hang a canvas with a hook, a hook type with a long hooking surface, such as a V-shaped type is recommended.
    • If there is a string on the back of the canvas or the back of the frame, you can hang it with a pin type that has a short hooking surface.
    • For any questions or concerns please chat us.

    What happens after purchase?

    • You will receive an email after we confirm the shipping date with the artist.
    • TRiCERA will arrange delivery and provide tracking information.
    • Our experts will assist you with installation, framing, and other aspects of the installation before arrival.
    • We offer a return policy within 14 days of receipt. (Except for the optional frame orders)

    About Shipping Fee and Return

    Shipping fees will be automatically calculated based on your shipping destination country and the origin country from which the artwork is shipped. You will find the exact shipping cost in step 2 of the checkout page. We, TRiCERA, Inc., will cover any import duties, taxes, or brokerage fees. Returns are free of charge within 14 days of receipt if there is a problem with the artwork.

    What types of payment are available?

    You can use major credit cards (excluding JCB), PayPal, amazon pay, ApplePay, GooglePay. We also accept bank transfers if you are in Japan.

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