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Exhibition: Tylakurka "Ruten
9s Gallery is pleased to announce the exhibition of Tylakurka "Ruten" from Thursday, 2024/11/15 to Sunday, 2024/11/24. Tylakurka 100 10 23/24 Selected Works "Mother" Tyla...
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Painting (Oil painting)
Original Artwork
2022
Artists' signature on the back of the canvas
Unframed
In the beginning the idea of the paining was close to the previous one: three magnificent blooms clinging to each other, tender and charming, loving and calm.
But then a friend of mine shared with me one of his favourite songs, I had no more doubts about the name and the way how the painting should look when finished. Nina Simon’s song «Wild is the Wind» is so heartbreaking, so deep, so emotional. Its mood just coincide with the emotions which overwhelmed me during the uneasy period in the history of the world. I started the painting in the peaceful world and finished it grieving when my heart was torn.
I made the flowers a little bit harsh: the dramatic feelings which are inside people are sharpening the silhouette.
«Like a leaf clings to a tree
Oh my darling, cling to me
For we're creatures of the wind
And wild is the wind»
“Wild is the wind”, February 2022. Oil on stretched linen canvas. 80x100x2 cm.
Russian Federation
My paintings reflect my inner world, I would call it a «garden». What is this garden like? It is often abstract, a little bit chaotic or on the contrary - pretty much ordered, or even unpredictable, somewhat bright..
In my artworks I am ponding over the fleeting of time. The idea of seizing the moment is opposed to the pursuit of momentary pleasure in a consumer’s society.
Awareness becomes means of slowing down and perceiveing the beauty of nature here and now. Using the images of flowers, I analyze the transience of life and draw a parallel between human life and the stages of a plant’s growth (luxuriance of blossoming - slow withering). Flowers in my paintings can be dramatic tended to destruction...or they can be fragrant and full of life, thus reflecting the ever-changing character of our days.
I prefer black (dark) background for paintings: it helps me to emphasise how fragile and vulnerable is the soul of a flower, reveal its fleeting beauty, which strives to be noticed during these odd times. Thanks to the black tones of the background other colors become saturated while the whole image gains its structure. Using this dark, deep non-existence as a basis, I derive intuitive images which are recognized as silhouettes of flowers by the spectator.
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