... Eternally between the content and its aesthetics, knowledge and imagination, the concrete and the ambiguous, the intention and the chance, the personal and the historical, the cause and the effect, between memory and oblivion. They are innocent and perverse, with a marked private character but with a public vocation, open to interpretations but encoded in its meaning, they are a moral product, structuring of our individual and collective identity. The family album is based on the analysis of appearances, in the rescue of memory and the creation of new ones, in its global structure but with a local content, in the process of archiving stories collecting them and creating them.
-Family album and artistic practices. Relectures on autobiography, intimacy and file.
Pedro Vicente
Ed. Dip. Huesca
2018