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SilenceSilenceSilenceSilence

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Silence
Silence
Silence
Silence
Silence
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

Silence

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W 100.00cm x H 100.00cm x D 3.50cm

USD $1,850.00

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  • About this Silence

    Detail

    Medium

    Painting (Oil painting)

    Edition

    Original Artwork

    Year

    2022

    Sign

    Artists' signature on the front of the canvas

    Frame

    Unframed

    Description

    This work is an allusion to the slow agony that the macaw is suffering, a bird that is already in danger of extinction. The woman, also a symbol of Mother Nature, mourns the death of one of her daughters while cradling her, in the background a mass of trees can be distinguished, reduced, since the disappearance of their habitat is what is motivating their disappearance and in the first place term several small macaw skulls are observed, referring to the time that this has been happening

  • About this artist

    Montes

    Montes

    Mexico

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    Concept

    As an artist I have always appreciated and experienced the contrast between light and shadow, but without a doubt the most characteristic of my work is the intense colour and the spontaneous, deliberately imperfect stroke, is one of the ways in which I express the freedom that means for me the act of painting.
    Most of my work has a strong symbolism, totally subjective, so the fish represent the freedom of feelings and inner strength, while the masks, are the means to interpret the mystic, the sacred and the symbolic, without any pretence of wrap it in a religious mood, if not rather making reference to everything that we experience as individuals, what we look at, what we speak and all those silences that we hide.
    I also try to print in my work a sense of searching and interpretation of the environment, I often include everyday elements that I use to form and assemble the work as an allegory, guiding the observer into the painting, so that from there he can discover his own interpretation, thus giving a personal value to the work.

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