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" Passage souterrain "" Passage souterrain "" Passage souterrain "" Passage souterrain "" Passage souterrain "" Passage souterrain "" Passage souterrain "

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" Passage souterrain "
" Passage souterrain "
" Passage souterrain "
" Passage souterrain "
" Passage souterrain "
" Passage souterrain "
" Passage souterrain "
" Passage souterrain "
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

" Passage souterrain "

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W 70.00cm x H 120.00cm x D 5.00cm

USD $416.00

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  • About this " Passage souterrain "

    Detail

    Medium

    Painting (Oil painting)

    Edition

    Original Artwork

    Year

    2022

    Sign

    Artists' signatures on the front of the artworks

    Frame

    Unframed

    Description

    The 1/10th copper sheet is heated with a blowtorch before working, this makes it more malleable and accentuates my patinas during the finishes which are done using steel wool and varnish in successively superimposed layers.
    Repoussé copper sheet, resinated as well as copper subjects, fixed in 3D on handmade rot-proof canvas frame. Oil paints, lacquers and acrylics, tinted metallic powders. Patinas and varnishes.

  • About this artist

    Ricket

    Ricket

    France

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    Concept

    The 1 / 10th copper sheet is heated with a torch before working, this makes it more malleable and accentuates my patinas during the finishes which is done using steel wool and varnish in successively superimposed layers.
    Embossed copper foil on a linen canvas frame. Background made in oil paint with a knife and spatula. Patinas and varnishes. Handmade frame.
    Embossed copper sheet, resinated and fixed in 3D on a wooden support primed as it should.
    Background made with a knife in oil paint.
    Patinas and varnishes.
    It takes me about a month to make a work, between the drying of the background and that of my forms that I come to embed in 3D; so I work on at least three creations at the same time ... and I slow down a bit because I have so much imagination.

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