Superimposed layers of images and materials, stratifications and transparencies evoke landscapes that, despite their informal gestures, combine in the scripts/path markers to form figurative-looking lawns or imaginary flora that can be perceived as analogous to actual plants. Images between material self-reference and representational allusion. Whether as scratching (scripture) or two-dimensional erosion, the injuries to the surface always generate lost traces, empty spaces, which, in the uncovering of the lower layers of the picture, give rise to something new and unforeseen. The landscape motif thus becomes a function of the material design. The strategy of chance provocation undermines any illustrative, reproducing moment of painting. Instead, force fields emerge in the scripts, which record the performative act of production and seek to bring together motif and painterly realization.
