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Quiet white
The color white is a symbol of chastity, cleanliness and victory, and will evoke various meanings in contrast to black. And that's what modern artists give to the color white ...
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USD $1,700.00
Painting (Oil painting)
Original Artwork
2016
Signed certificate
Unframed
This striking piece by Zakhar Shevchuk, entitled "First Flowers," is a testament to the artist's journey from academic realism toward the cusp of figurative art and abstraction. The artwork stands out with its interplay of light and shadow, transforming the ordinary subject of flowers in a vase into an extraordinary visual experience. The simple vase becomes a dynamic focal point, its contents morphing in a dance of light that shifts apricot blossoms into a surreal blue. Shevchuk's oil work on the fibreboard texture adds a tactile dimension that invites viewers to ponder the transience of nature and the permanence of art.
In "First Flowers," Shevchuk's technique is particularly noteworthy. He applies thick, confident strokes that give a sense of immediacy to the composition, while the use of a restrained palette suggests a hint of melancholy. The dimensions of the piece allow for an intimate interaction, where the observer can almost sense the crispness of the petals and the roughness of the fibreboard. The painting's size makes it an ideal statement piece for both small and large spaces, providing a window into the artist's introspective view of the world.
Zakhar Shevchuk, a masterful Ukrainian painter and draftsman, contributes to the global art scene with works housed in both public and private collections. His educational background from the National Academy of Fine Arts and Architecture in Kyiv and his role as an educator himself are evident in the disciplined yet exploratory nature of his work.
Ukraine
For me creating art is a way to discover the surrounding world, gain some experience, and a possibility to understand how I feel about various things. In my artworks I aim to express what I feel about the object, rather than how I see it. Consequently, many of my paintings are somewhere on the edge of figurative and abstract art.
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