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Summer Scenery in Art 2020 - Summer Greeting, Part 1
What do you think of the summer landscape of 2020? Many of us have probably had to make some adjustments to the strange and unprecedented summer p...
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Welcome to TRiCERA
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Could you please describe yourself?
Guest
Painting (Oil painting)
Original Artwork
2018
Artists' signature on the back of the canvas
Unframed
Collection «Inspired by Frida Kahlo»
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«The psychological depth of the figures that Malivani paints suggest connections with James MacNeill Whistler and Leonardo da Vinci. Pieces such as «Dying in the Rain» and «Lily» convey an intellectual element through the determined gaze held by the subject. These works impeccably combine Realism with Abstraction, as the execution contains both elements of Renaissance techniques, as well as a sense of Abstract Expressionist vigour in the brushwork, which aligns Malivani with artists, such as Arshile Gorky, through the use of strong pigment and avantgarde form».
«Diana Malivani. «The Blue Butterfly’s Dream». Artwork Analysis» by Timothy Warrington, Art Critic, 2020 (International Confederation of Art Critics. London, UK and Chianciano, Italy)
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More photos of the artwork as well as the relevant documents are available upon request
(close-up views, the artists signature, in-context photos, publication copies, certificate of authenticity etc.).
Russian Federation
The Artist’s creative journey began at birth: Diana Malivani was born on the coast of the Black Sea, bathed in the riotous profusion of the colours of the Caucasus. Her love as a child for fairy tales and pictures later developed into a desire to convey, to those hearing and viewing her work, the great feeling for nature which enhances her life and the lives of those she loves.
Diana’s paintings reflect her soul, her love for music and nature, for an infinite variety of melodies and sounds, for shades and colours, for all that nature creates: the rustling of wet leaves and the first rays of dawn, the roar of the sea surf and the scent of a flowering meadow, the flight of screeching gulls and dewdrops on a blossoming rose... As she draws flowers and depicts landscapes (the principal themes of her artwork), deals with marine subjects, creates abstract compositions, and transfers music to canvas (one of the Artist’s main Art Projects bears the name «Seeing Music»), Diana strives to share these feelings with others, to share with others a part of her soul.
Diana Malivani is always in the mood to create: this happy inclination and impulse arise spontaneously within her and form an integral part of her life. Nature, for Diana, is the best source of new ideas. A walk along the Mediterranean coast, contemplation of the high crowns of the eucalyptus and palms against the background of the setting sun, and the boundless southern sky create the illusion that the surrounding world is inexhaustible and limitless: this is what fills the Artist with energy and inspiration. Diana believes that it is very important for a human being to be in harmony with self and nature. Only then is it possible to commune with all the beauty of the surrounding world, hear the murmur of the trees and flowers, be in touch with the music of waterfalls and torrential rain, and sense the breath of the sea and passing clouds.
The creative process, this special magical world in which the Artist is submerged, is invariably accompanied by music, which has always occupied an important place in Diana’s life. Listening to classical and modern music, she is transported to a special realm where different images and pictures appear, sometimes just bright splashes of color responding to each other, which the Artist then tries to transfer to canvas. Diana’s artworks reflect the images evoked in her soul as she listens to music. The Artist believes that painting and music are interconnected by special deep inner ties having the same foundation as the diverse manifestations of life. Diana, with her background in medicine, is convinced that painting, like music, can heal spiritual wounds and help people find their own life paths.
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