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Milk Bush 02

Milk Bush 02

W 80.40cm x H 65.30cm x D 2.20cm

USD $3,619.85

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  • About this Milk Bush 02

    Detail

    Medium

    Painting (Oil painting)

    Edition

    Original Artwork

    Year

    2022

    Sign

    Artists' signature on the back of the artwork

    Frame

    Unframed

    Description

    [How to deal with green light] "How to overcome lethargy" As I continue my work, there is always a slump that comes after I finish a series or exhibit. I feel guilty that I didn't burn out enough to call it burnout, but my energy to keep going is waning. The times when it's hard to draw a line in the sand feel like a heavy stone weighing down your shoulders. When the pandemic situation calmed down to a certain extent, the lethargy came on strongly, because I was still hiding inside while everyone else was getting energized and going outside. The dried and dead plants in my neglected garden looked like me.

    When I saw my crab claw cactus wilting in the house, I felt sorry for it and started dividing and caring for it. I became immersed in growing plants for a while, and the energy of budding, rooting, and blooming plants energized my lethargy.

    I observed them and translated what I saw into paintings. That's how I was able to pick up the brush again.



    "The Power of Plants" I fell in love with a plant called "Milk Bush" in a flower garden. Its slender but sturdy stems branched out in all directions in chaos, but there was a certain order and beauty to it. The white sap in its stems gave it its name, but I was also intrigued by the fact that the sap is highly toxic. The poisonous tangled bush was like me, or maybe I could hide in it and scream my heart out, and it would provide a cozy shield.
    The shape and color of the plant, the way it looks, and the way it feels when you look inside it, is the shape of my mind. The power of plants, the power to observe and nurture myself through them.



    The plants in "Fire, Water, and the Shape of the Heart" come alive as me. I draw my chaotic emotions with quick brushstrokes, and their shapes sometimes form forests, sometimes fire and water. The act of 'setting fire' is impossible in real life. If you get it wrong, it burns everything down. But fire as an expression of the heart can take many forms. In my recent work, the fire resembles a green, roaring tree. It burns hot, but it's an energy that nurtures, not reduces everything to ashes. It is energized by the sun's rays and the sparks of shooting stars.
    Even running water and pools of stagnant water are alive. It nurtures the leaves and roots of plants, sheds the rotten parts, and brings new life.



    "May your day be alive" There are days when I really don't want to watch the news. More heartbreaking and upsetting things than good things keep popping up. I don't know where to find solace for my disoriented anger and sadness. I hide in the rain or use onion slicing as an excuse to cry. And then I look at a plant that looks a little different every day. This seemingly insignificant act, which I named Sikhung, has great power in my daily life. I hope that people who look at my paintings will be able to rest for a while, just like I do. At least in the paintings, you can do anything.

    "Why don't we play hide-and-seek in the forest of color, dabbing paint into the bristles of our brushes, and drawing lines? Let's light a green fire in your heart. May your day come alive!" Choi Namoo's notebook

  • About this artist

    Namu Choi

    Namu Choi

    South Korea

    Concept

    Namu Choi is from Korea and lives in Japan. she came to Japan in 2007 and has been in Okinawa for about 4 years. Okinawa has a history of the Pacific War and many lives were lost. The energy of death always coexisted with the energy of strong life and had its own healing power. These two coexisting natural energies became an important motif in her work. Later, when she moved to live in the big city of Tokyo, the concept of her work changed. She began to express more of her own emotions than nature. From the perspective of an isolated and anxious immigrant and mother of two children, she decided to focus on the theme of "home" for a while. A floating house, a flowing house, takes root and grows branches, but is left in an isolated and empty space. The Internet and social media enrich conversations between people, but at the same time create a great divide between each other. Through her work, she has been searching for answers to where the most important and fundamental values in this world lie. During the global pandemic caused by the new Corona, the feelings of "isolation and anxiety" that she had been depicting were no longer special and were felt by many people, which led to a change in her paintings. I began to express the importance of a "positive" mind, of taking a good look inside oneself and at one's surroundings. Psychological Landscape" is an important point to explain her work, as she incorporates natural elements - trees, mountains, water, fire, earth, and people - into her paintings to express people's emotions. GREEN" has been a major theme in her recent works, and she continues to depict "the effort and will to change negative emotions and the environment into a positive one" by incorporating the natural energy symbolized by plants. "It is the intensity of many lives that creates a peaceful nature." She names the growing power of plants as "green fire" to ignite the screen. Rather than burning everything down, the green fire becomes an energy that nurtures new life and hearts. The "GREEN" series will continue for some time, taking many forms, including fire, waterfalls and waves.

  • FAQ

    Does this art work need a frame?

    In many cases, art works with a canvas stretched over a wooden frame can be displayed as is. Thin art works other than canvases are easier to frame. For any questions or concerns please chat us.

    Are there other sizes for a similar type of artwork?

    A Depending on the artist, request consultations are available. For any questions or concerns please chat us.

    What kind of hardware should I use for hanging the artwork?

    • If you are concerned about repayment costs, such as when renting a house, wall pins and hooks that do not leave noticeable hole marks are available at major DIY Store and art supply stores.
    • If you want to hang a canvas with a hook, a hook type with a long hooking surface, such as a V-shaped type is recommended.
    • If there is a string on the back of the canvas or the back of the frame, you can hang it with a pin type that has a short hooking surface.
    • For any questions or concerns please chat us.

    What happens after purchase?

    • You will receive an email after we confirm the shipping date with the artist.
    • TRiCERA will arrange delivery and provide tracking information.
    • Our experts will assist you with installation, framing, and other aspects of the installation before arrival.
    • We offer a return policy within 14 days of receipt. (Except for the optional frame orders)

    About Shipping Fee and Return

    Shipping fees will be automatically calculated based on your shipping destination country and the origin country from which the artwork is shipped. You will find the exact shipping cost in step 2 of the checkout page. We, TRiCERA, Inc., will cover any import duties, taxes, or brokerage fees. Returns are free of charge within 14 days of receipt if there is a problem with the artwork.

    What types of payment are available?

    You can use major credit cards (excluding JCB), PayPal, amazon pay, ApplePay, GooglePay. We also accept bank transfers if you are in Japan.

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