In today's China, urbanization has led to a cityscape dominated by economic and technological values not seen in the past. Yet, the traditional "temporary mountain stone" still stands in the urban garden. My working method is to depict karesanseki on the screen based on the operation of various brush strokes. My work is not done only to pursue the "likeness" of the kkasanseki (realistic reproduction of real objects). Rather, I emphasize the various brush strokes of the katana and kibyoshi, and pursue my unique sensibility as a creator. The result is a work that combines brushstroke, chi-rin, and the artist's own work. Through the relationship between the concept of "chi-rin" and the contemporary notions of expression found in his own work, he sought to reaffirm the importance of this concept and to reexamine its potential as a new form of contemporary artistic expression.