In today's China, urbanization has led to a cityscape dominated by economic and technological values not seen in the past. Yet, the traditional "temporary mountain stone" still stands in the urban garden. My working method is to depict them on the screen based on the operation of various brush strokes. The inspiration for this series came from seeing snowboard tracks at a ski resort and thinking that it would be interesting to create a touch like those tracks. My work is not done only to pursue the "likeness" (realistic reproduction of real objects) of kariyamashi. Rather, I emphasize the various brush strokes of the "qi sword" and "qi brush" rather than reproducing the shape of the real kkasanseki, and pursue my own unique sensibility as a creator. The result is a work that combines brushstroke, chi-rin, and the artist's own work. Through the relationship between the concept of "chi-rin" and the contemporary notions of expression found in his own work, he sought to reaffirm the importance of this concept and to reexamine its potential as a new form of contemporary artistic expression.
