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Bailando

Bailando

W 157.00cm x H 110.00cm x D 2.00cm

USD $3,800.00

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  • About this Bailando

    Detail

    Medium

    Painting (Ink painting)

    Edition

    Original Artwork

    Year

    2021

    Sign

    Artists' signature on the back of the canvas

    Frame

    Unframed

    Description

    Dancers
    The body thinks, the body speaks, but its language is not perceived. In the series Dancers, the gaze is invited to this fact. Multiple dancing bodies communicate with the world and challenge the static image that becomes immobile with the end of the stroke. The dancers do not stop. In these paintings the image confers movement and problematizes several spheres of the limits beyond the movement in the image. I mean, the standardized forms, the occupied space, the abstract and the concrete.
    The movement of the beings exposed there is born from the spontaneity that is the way the unconscious presents itself. The freedom of these beings draws this other type of access, a new vocabulary, as a condition of a differential repetition.
    In turn, light is dominated by the colors chosen and shapes the scene. It is by it that the observer deduces the place of the dancers - on stage? in an academy? in the imagination of the corégrafo? in the mind of the dancer at the exact moment they dance? The light that tells and this place once identified is the thread to understand the questioning of the limits.
    Dance connects intimacies, fragilities, strengths, humanities. It challenges structured power relations. It goes beyond behavior, because it synthesizes the unconscious and rationalization by establishing a in-between place of ideas. It celebrates the tension of the search for enjoyment, search for truth, search for the soul expansion.

  • About this artist

    Concept

    to be updated Descriptive memorial
    Work: POSSIBLE LANDSCAPE
    MEASUREMENT - 90 X 2.30
    MIXED TECHNIQUE USING FABRIC AND OTHERS
    Artist: Zélia Mendonça.
    Description: In a landscape drawing of the Urca route to Sugarloaf Mountain, I placed gemstones and buttons together with other recycled materials from knickknacks and scraps. It is an assemblage.
    This work is a representation of Rio de Janeiro as an icon of Brazil. So, although I try to portray the city, I'm talking on a national level. That's why I contrast human evils in the image of nature. Not as a justification, but by showing that these riches are constantly usurped by the crime of political and endemic corruption inserted in Brazilian daily life, endorsed by a voracious individualism. There are stray bullets and those sent, leaving bodies and interrupted lives in this dynamic. That's why I chose to put the scraps of shoes in addition to the bullets.
    But what looks like hell also presents itself as beauty. When we do not stick to the details of the work, when we move away from it in contemplation, and have observed the whole, we try to provoke the paradox of values ​​so that our conception of ourselves does not limit us. So that we don't fit into moralism, prisoners of external expectations, feeling guilty or too legislators without reflecting our role in society.
    The confrontation with our reality cannot fear the unpleasant. Nor should we allow ourselves to project onto the other what is wrong in us. Therefore, between essence and appearance, it is the conflict between these parts that matters to me. And in this exercise of approaching and distancing, to seek an illusion that also celebrates life, a conscious and reflective illusion, perhaps the very reason for art's existence.
    Memorial Descritivo
    Obra: PAISAGEM POSSÍVEL
    MEDIDA – 90 X 2.30
    TÉCNICA MISTA USANDO TECIDO E OUTROS
    Artista: Zélia Mendonça.
    Descrição: Num desenho da paisagem do trajeto Urca até o Pão de Açúcar, coloquei pedrarias e botões junto a outros materiais reciclados de quinquilharias e retalhos. Trata-se de uma assemblage.
    Esta obra é a representação do Rio de Janeiro como ícone do Brasil. Então, embora eu procure retratar a cidade, estou falando num nível nacional. Por isso contraponho na imagem da natureza os males humanos. Não como justificativa, mas ao mostrar que estas riquezas são usurpadas constantemente pelo crime da corrupção política e endêmica inserida no cotidiano brasileiro endossada por um individualismo voraz. Existem balas perdidas e as enviadas, sobrando nessa dinâmica corpos e vidas interrompidas. Por isso optei por colocar além das balas os restos de calçados.
    Mas o que parece o inferno, também se apresenta como beleza. Quando não nos atemos ao detalhe da obra, ao nos afastar dela em contemplação, e ter observado o todo, procuramos provocar o paradoxo de valores para que nossa concepção de nós mesmos não nos limite. Para que não caibamos num moralismo, prisioneiros de expectativas externas, nos sentindo culpados ou demasiadamente legisladores sem refletirmos nosso papel na sociedade.
    O confronto com a nossa realidade não pode temer o desagradável. Tampouco devemos nos deixar projetar no outro aquilo que em nós está errado. Para tanto, entre a essência e a aparência é o conflito entre estas partes que me importa. E nesse exercício de aproximar e distanciar, buscar uma ilusão que também celebre a vida, uma ilusão consciente e de reflexão, talvez a própria razão de ser da arte.

  • FAQ

    Does this art work need a frame?

    In many cases, art works with a canvas stretched over a wooden frame can be displayed as is. Thin art works other than canvases are easier to frame. For any questions or concerns please chat us.

    Are there other sizes for a similar type of artwork?

    A Depending on the artist, request consultations are available. For any questions or concerns please chat us.

    What kind of hardware should I use for hanging the artwork?

    • If you are concerned about repayment costs, such as when renting a house, wall pins and hooks that do not leave noticeable hole marks are available at major DIY Store and art supply stores.
    • If you want to hang a canvas with a hook, a hook type with a long hooking surface, such as a V-shaped type is recommended.
    • If there is a string on the back of the canvas or the back of the frame, you can hang it with a pin type that has a short hooking surface.
    • For any questions or concerns please chat us.

    What happens after purchase?

    • You will receive an email after we confirm the shipping date with the artist.
    • TRiCERA will arrange delivery and provide tracking information.
    • Our experts will assist you with installation, framing, and other aspects of the installation before arrival.
    • We offer a return policy within 14 days of receipt. (Except for the optional frame orders)

    About Shipping Fee and Return

    Shipping fees will be automatically calculated based on your shipping destination country and the origin country from which the artwork is shipped. You will find the exact shipping cost in step 2 of the checkout page. We, TRiCERA, Inc., will cover any import duties, taxes, or brokerage fees. Returns are free of charge within 14 days of receipt if there is a problem with the artwork.

    What types of payment are available?

    You can use major credit cards (excluding JCB), PayPal, amazon pay, ApplePay, GooglePay. We also accept bank transfers if you are in Japan.

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    Ação

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