Dancers
The body thinks, the body speaks, but its language is not perceived. In the series Dancers, the gaze is invited to this fact. Multiple dancing bodies communicate with the world and challenge the static image that becomes immobile with the end of the stroke. The dancers do not stop. In these paintings the image confers movement and problematizes several spheres of the limits beyond the movement in the image. I mean, the standardized forms, the occupied space, the abstract and the concrete.
The movement of the beings exposed there is born from the spontaneity that is the way the unconscious presents itself. The freedom of these beings draws this other type of access, a new vocabulary, as a condition of a differential repetition.
In turn, light is dominated by the colors chosen and shapes the scene. It is by it that the observer deduces the place of the dancers - on stage? in an academy? in the imagination of the corégrafo? in the mind of the dancer at the exact moment they dance? The light that tells and this place once identified is the thread to understand the questioning of the limits.
Dance connects intimacies, fragilities, strengths, humanities. It challenges structured power relations. It goes beyond behavior, because it synthesizes the unconscious and rationalization by establishing a in-between place of ideas. It celebrates the tension of the search for enjoyment, search for truth, search for the soul expansion.