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Musaceae. Composition 1Musaceae. Composition 1Musaceae. Composition 1Musaceae. Composition 1Musaceae. Composition 1Musaceae. Composition 1Musaceae. Composition 1Musaceae. Composition 1

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Musaceae. Composition 1
Musaceae. Composition 1
Musaceae. Composition 1
Musaceae. Composition 1
Musaceae. Composition 1
Musaceae. Composition 1
Musaceae. Composition 1
Musaceae. Composition 1
Musaceae. Composition 1
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

Musaceae. Composition 1

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W 40.00cm x H 40.00cm x D 4.50cm

USD $900.00

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  • About this Musaceae. Composition 1

    Detail

    Medium

    Painting

    Edition

    Original Artwork

    Year

    2023

    Sign

    Artists' signature on the front of the canvas

    Frame

    Unframed

    Description

    As a synesthetic artist, it became interesting for me to experiment with changing the usual color scheme of the banana tree, filling in the familiar shape of the object with a different color scheme. Suggest whether a banana tree will be perceived as a banana or not. Will its image become "exotic"? How will the impression of perceiving a familiar plant in a different color scheme change? Explore how this principle, by changing the color palette of an object, can provoke other moods, feelings and emotions. How do these color combinations affect emotional states and evoke feelings?

  • About this artist

    Maria Lvova

    Maria Lvova

    Switzerland

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    Concept

    My name is Maria Lvova and I'm an artist from Geneva. I see things through the prism of colors. Since childhood, I see with colors, I hear with colors, I remember people and events with color combinations. I'm one of the synesthetes (usually by the age of 5, children's sight, taste and smell receptors are separated, while synesthetes - not all, or not all are separated). I associate color with smells, faces and events. I find it interesting to observe how our memory captures fragments of the past and colors them in different ways. It's these different combinations that emerge as memories of tastes, smells, events and people. On canvas, they are transformed into certain images, torn from impressions of life, in frames of different focus and sharpness. In my work, I explore the synergy of elements from different cultural traditions on European territory, particularly in Switzerland. I observe their unification and interaction, be it ornament and architecture, flowers, fruit, plants, faces and silhouettes. I'm very fond of the Swiss modernist painters. I'm inspired by the landscapes of Felix Vallotton and Ferdinand Hodler. I work a lot with acrylics, watercolors and digital. I use photographs and videos to support my compositions. I often come up with new ideas, or sketch out future paintings in a computer program. Ironically, the computer processing of images gives me the inspiration for new research into the material, leading to the creation of something entirely new.

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