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Untitled2  (無題2)Untitled2  (無題2)Untitled2  (無題2)Untitled2  (無題2)Untitled2  (無題2)

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Untitled2  (無題2)
Untitled2  (無題2)
Untitled2  (無題2)
Untitled2  (無題2)
Untitled2  (無題2)
Untitled2  (無題2)
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

Untitled2 (無題2)

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W 30.00cm x H 22.40cm x D 1.00cm

USD $193.19

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  • About this Untitled2 (無題2)

    Detail

    Medium

    Painting

    Edition

    Original Artwork

    Year

    2019

    Sign

    Artists' signature on the back of the artwork

    Frame

    Unframed

    Description

    Paulownia wood board, mizuhoshi used. Washi paper is not used. It is painted directly on the panel. I used brown to express the beauty and movement of the uneven lines on the left and right sides. Because it is painted directly on a paulownia wood panel, it has a very matte finish. I think the image will change depending on the color of the wallpaper used to decorate the room. Japanese painting" is based on a style of painting that has existed for more than 1,000 years, and uses traditional materials that have been cultivated throughout history. The technique involves painting on Japanese paper, silk, wood, etc., using natural pigments such as sumi ink, iwa-enogu (mineral pigments), gofun (gofun), etc., and glue (nikawawa) as an adhesive. Gold and other metal materials (gold leaf, etc.) are also used. Iwa-enogu, made from ores, is a beautiful, sand-like powder. Mizuhigure, made from clay, is a fine, stretchy paint with fine particles. Artificial versions of iwa-enogu and mizuhoshi egur are also made, and are available in a wide variety of colors. Goko, made from shells, is a white pigment with fine particles.

  • About this artist

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    Concept

    Although I am old as a viewer and new as an artist, I always try to challenge myself by adopting new techniques and expressions without forgetting the spirit of life and motion. I mainly paint "Nihonga" using mineral pigments. Nihonga" is based on a style of painting that has existed for more than 1,000 years, and uses traditional materials that have been cultivated throughout history. The technique involves painting on Japanese paper, silk, wood, etc., using natural pigments such as iwa-enogu (mineral pigments) and gofun (gofun), and glue (nikawa) as an adhesive. Gold and other metal materials (gold leaf, etc.) are also used. Iwa-enogu, made from ores, is a beautiful, sand-like powder. Mizuhigure, made from clay, is a fine, stretchy paint with fine particles. Artificial versions of iwa-enogu and mizuhoshi egur are also made, and are available in a wide variety of colors. Goko, made from shells, is a white pigment with fine particles. We look forward to working with you.

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