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Black & white cinema. OlgaBlack & white cinema. OlgaBlack & white cinema. OlgaBlack & white cinema. Olga

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Black & white cinema. Olga
Black & white cinema. Olga
Black & white cinema. Olga
Black & white cinema. Olga
Black & white cinema. Olga
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

Black & white cinema. Olga

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W 27.00cm x H 38.00cm x D 0.10cm

USD $293.00

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  • About this Black & white cinema. Olga

    Detail

    Medium

    Painting

    Edition

    Original Artwork

    Year

    2022

    Sign

    Artists' signature on the back of the artwork

    Frame

    Unframed

    Description

    In my painting, I use materials and tools of the highest quality, time-resistant- 300g/m2 paper and professional watercolors.


    This is the series “Black & white cinema .”
    The portrait painted with two pigments, thanks to which there is a beautiful granulation, bright and expressive contrast.
    I use this technique in portraits to show depth and clarity.
    In fact, this is a picture painted in monochrome, but due to the properties of watercolor, when it dries, it breaks up into several pigments, which allows you to enjoy the beauty light and shadows.
    Watercolor paints by Daniel Smith, Rembrandt Golden Talens., Nevskaya palitra. Watercolor paper 300 g. Arches, Baohong s8

    The work of art is NOT decorated. It will need to be placed in a frame behind the glass. Hang it on the wall in your house away from direct sunlight.

    If you have any questions about this artwork or would like to see more photos of this work do not hesitate to contact me.

  • About this artist

    Oxana Luky

    Oxana Luky

    Russian Federation

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    Concept

    In my artistic experiments I work with watercolor and oil, sometimes adding elements of pastel. In my works, I convey not just meanings, but prisms - those very optical distortions that belong to my eye and perception. This is a kind of dialogue of reality with my unconscious, with the imaginary.
    Through subtle nuances of facial features, expressions of the eyes, and body movements, I weave narratives, directly touching the inner world of the portrait's subject.

    A person's body, face and emotions are powerful tools for describing a person inside and out.
    Human forms, gestures combined with looks and movements are an endless fruitful source of inspiration for me.

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