Fake Look II.

The narrative goes something like this: males without mental disorders lie and seem cool, so I must trust them. The act comes not only from the cool work he does but also from the fact that behind the cool look lies a person who lacks empathy, is not cute, honest, loving, and who despises people, making them power-hungry, selfish, and evil. They also created an industry that emphasizes strength, work, money, and material possessions over the most important thing—that is, the love that sweet people possess, and which is necessary for people to feel good.

The painting makes it clear that he is essentially trying to use his looks in order to attract women to have lovely sex because he fears rejection from them and feels small (as you are not allowed to in his world) because of his desire for power, which I find stupid. However, the key words, the cool graffiti letters, and the peace symbol serve as evidence that he is not who he seems to be and is therefore not cute, honest, loving, or empathetic. His stupid behavior angers and frustrates me since it shows that he is not a sweet, honest, and loving person.

Normally, I consider it lovely and fun to interact with women and kiss with them, but because of that and the fact of a lack of love, I was mistreated as a child, frequently being scolded, yelled at, and humiliated by a false, evil, and tyrannical father. This is what I want to represent as the absence of love in the artwork. He was aware that he might instill a mental disorder in me, causing me to become afraid, reticent, and quiet. After 45 years, I first knew the background because no one supported me, told me about life, or gave me love.