The figurative figures placed in the work are a dragon and a tiger. This is a typical Japanese art form called Ryu Tora Aibaku, which has been depicted in gold folding screens in Japan since ancient times. The history of kinbyobu is long, dating back to the Han Dynasty in China in the 200s BC. I have reconstructed it using silver and white instead of gold and white to create a modern and stylish image.
The eye at its center is derived from the Zen Shōhō Ganzō and the Christian eye of Providence. While the Buddha's verbal teachings became the later sutras, the idea that the invisible teachings were what mattered became the later Zen. This is the Shobogenzo. The goal of Buddhism is a world without discrimination. The eye of the Shobogenzo is called "discrimination-free wisdom," and it represents the state in which discrimination has been eliminated. The Buddha taught that words can be interpreted freely, and their interpretation and meaning change with the times. That is why Zen art developed as a beauty of diversity and imperfection that embraces all. A world where people can coexist regardless of religion or race is necessary for the future of international society. I continue to draw this style of painting with the eye as the central part to express my artistry.
In addition, the hues and other aspects of the work are holomorphic. The holomorphic color scheme expresses freedom by not restricting the colors, but it is said to be extremely difficult to maintain color balance. It is also seen in Russian Kandisky.
I use this all-phase type because it is similar to the difficulty of maintaining economic balance, and because it fits with my artistic vision of "NO BORDER IN THE WORLD" and "VISUAL ROCK PAINTER," a new art form that is not bound by existing frameworks.
