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Study of a Water Mains Cover with Cracked Concrete and AsphaltStudy of a Water Mains Cover with Cracked Concrete and AsphaltStudy of a Water Mains Cover with Cracked Concrete and AsphaltStudy of a Water Mains Cover with Cracked Concrete and Asphalt

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Study of a Water Mains Cover with Cracked Concrete and Asphalt
Study of a Water Mains Cover with Cracked Concrete and Asphalt
Study of a Water Mains Cover with Cracked Concrete and Asphalt
Study of a Water Mains Cover with Cracked Concrete and Asphalt
Study of a Water Mains Cover with Cracked Concrete and Asphalt
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

Study of a Water Mains Cover with Cracked Concrete and Asphalt

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W 54.10cm x H 54.30cm x D 8.60cm

USD $3,848.00

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  • About this Study of a Water Mains Cover with Cracked Concrete and Asphalt

    Detail

    Medium

    Painting

    Edition

    Original Artwork

    Year

    2014

    Sign

    Artists' signature on the back of the artwork

    Frame

    Unframed

    Description

    This painting is from a series looking at various urban ground surfaces in the UK. The completed work took the form of a resin cast that sought to replicate reality in the most precise way possible. All details are hand-painted with enamels; artwork support is resin (polyester) backed with fibreglass for strength. Took around two years to complete.

    Artwork has a wooden frame on the back of the cast and is ready hang.

    If you require any further details about the piece or more close-up photos of the surface, please do not hesitate to get in touch.

  • About this artist

    Niall Stevenson

    Niall Stevenson

    United Kingdom

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    Concept

    My work centres around the impact human activity has upon rural environments and its associated topographies. I am particularly drawn to the idea of layered histories (extending back to the Neolithic with its associated structures still visible in the landscape) within scenes that capture my interest while walking in Scotland. Although I do not depict them directly, traces of past cultures and the mark(s) they have left help spark imaginative and interpretive thought processes that I can use as the basis of image making.

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