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Hippocampus pedalingHippocampus pedalingHippocampus pedalingHippocampus pedalingHippocampus pedalingHippocampus pedaling

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Hippocampus pedaling
Hippocampus pedaling
Hippocampus pedaling
Hippocampus pedaling
Hippocampus pedaling
Hippocampus pedaling
Hippocampus pedaling
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

Hippocampus pedaling

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W 40.00cm x H 135.00cm x D 0.20cm

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  • About this Hippocampus pedaling

    Detail

    Medium

    Painting

    Edition

    Original Artwork

    Year

    2019

    Sign

    Artists' signatures on the front of the artworks

    Frame

    Unframed

    Description

    This work refers to how sometimes it seems that we advance without ourselves knowing very well how we do it, because it seems that despite not having the necessary resources we can still achieve incredible things
    This work is made of parchment paper, a high quality paper that looks like leather to touch

  • About this artist

    Montes

    Montes

    Mexico

    Follow

    Concept

    As an artist I have always appreciated and experienced the contrast between light and shadow, but without a doubt the most characteristic of my work is the intense colour and the spontaneous, deliberately imperfect stroke, is one of the ways in which I express the freedom that means for me the act of painting.
    Most of my work has a strong symbolism, totally subjective, so the fish represent the freedom of feelings and inner strength, while the masks, are the means to interpret the mystic, the sacred and the symbolic, without any pretence of wrap it in a religious mood, if not rather making reference to everything that we experience as individuals, what we look at, what we speak and all those silences that we hide.
    I also try to print in my work a sense of searching and interpretation of the environment, I often include everyday elements that I use to form and assemble the work as an allegory, guiding the observer into the painting, so that from there he can discover his own interpretation, thus giving a personal value to the work.

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