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Wooden Wave 46Wooden Wave 46

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Wooden Wave 46
Wooden Wave 46
Wooden Wave 46
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

Wooden Wave 46

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W 20.00cm x H 20.00cm x D 2.50cm

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  • About this Wooden Wave 46

    Detail

    Medium

    Painting

    Edition

    Original Artwork

    Year

    2020

    Sign

    Artists' signatures on the front of the artworks

    Frame

    Unframed

    Description

    I draw and paint on a wooden or real wood panel based on the pattern of the rings on the surface of the tree as I make the "Wooden Wave" series. Thus, it produces works of nature-friendly and vitality like the rippling waves. This is in order to convey the fluctuation of life in the vivid traces of the grain making the rings at a slower pace in a rapidly changing world. In addition, the tree that has always been associated with human history has preserved life and its earth, the earth, and thinks that it possesses such a property as a support and a resting place for all things on the earth. I hope that my work will resemble the face of this tree and convey the liveliness to those who see it and the value as a rest.

  • About this artist

    JUNGMIN LEE

    JUNGMIN LEE

    South Korea

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    Concept

    Lee Jungmin's ongoing series "Wooden Wave" takes a novel approach to an old technique - painting on a wood panel. For centuries, artists have used gesso to cover and smooth wood's natural color and texture. Lee, instead, creates paintings in collaboration with the grain and striations of timber.

    Lee Jungmin says she found "the vitality of nature itself" in the evidence of a tree's growth: rings, ripples, and other gradations. In order to better see the grain, Lee applies a surface treatment to the wood in order to protect it. Then, she usually applies thin layers of gouache, a water-based paint with more opacity than watercolor.

    The resulting paintings indeed have an fluid quality, similar to an ocean's surface of the rush of a waterfall. "I want to convey to the audience the warmth and comfort of life, natural beauty and even the existence of the tree." says Lee.

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