
EVENT: We will participate in GAIEN-NISHI ART WEEKEND 2025.
9s Gallery (Nishiazabu, Tokyo) will participate in GAIEN-NISHI ART WEEKEND from Friday, March 14 to Sunday, March 16.
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Original Artwork
2023
Artists' signature on the back of the canvas
Unframed
Silica, acrylic paint, lacquer spray, glue, bamboo, wood, 3D resin modeling materials "Every being also exists as a support to form something else when viewed from another world or dimension. In my work, I use the term "support" in the sense of "a kind of material that constitutes the work" and in the sense of "something that synchronizes the unreal essence of art as a medium. This work is a combination of two series of works, "Surroundscape" and "Graviternal". Surroundscape" is a series of works that expresses a temporary state while using the original motif as a literal support by combining wood and other materials to surround various motifs or by attaching various materials to them. The motif of this work is a 3D printed Buddha statue. The data was downloaded from the Minneapolis Institute of Arts on the Internet from the collection of the Minneapolis Institute of Arts, which has data of Buddha images from Gandhara art, believed to have been created in Pakistan around the 3rd century. Graviternal" is a series of works focusing on gravity, which has recently been suggested to travel between multiple dimensions, through the images that appear when the artist presses a unique modeling material made of silicon with a coloring agent against a panel, depending on the strength of the force with which the material is rubbed against the panel. By combining these two series, the work is expressed as a work that encompasses the two connotations of support mentioned above.
Japan
My work is based on "ma/wa" and "support theory". Ma" is used in various expressions such as the physical distance between something and something else, empty space, the space in time (rhythm and tempo) between consecutive things, and mental connections such as the regulation of communication between the mind and the heart. My "ma" includes all of these, but in an overall sense, it refers to something that synchronizes me with an object and works as something that influences my perceptual perception of the object. For example, the perceptual perception of "seeing" is as if one can see "there is an apple in front of me" through the light that comes and goes between the subject and the object. The "pause" refers to what the subject being (me) perceives through concrete, physical actions that I try to control while perceiving the "pause." The philosophy that considers the above "existence of what synchronizes" is my "support theory. The support is the material such as paper or panel in a painting. At the same time, it also exists as something that synchronizes the essence of art (the invisible) with the viewer (something that makes the viewer understand). The "theory of support" is that from a macro perspective, "everything exists in a temporary state as a support," including people, things, and the phenomena of the world, as well as the soul, and at the same time, from a micro perspective, "everything exists perfectly as a true state.
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