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La larme de MarianneLa larme de MarianneLa larme de MarianneLa larme de MarianneLa larme de MarianneLa larme de Marianne

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La larme de Marianne
La larme de Marianne
La larme de Marianne
La larme de Marianne
La larme de Marianne
La larme de Marianne
La larme de Marianne
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

La larme de Marianne

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W 73.00cm x H 92.00cm x D 2.00cm

USD $1,144.00

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  • About this La larme de Marianne

    Detail

    Medium

    Painting (Acrylic painting)

    Edition

    Original Artwork

    Year

    2024

    Sign

    Artists' signature on the front of the canvas

    Frame

    Unframed

    Description

    Marianne remains symbolic and modern. A drip of paint, acting as a tear running down her cheek, expresses a certain sadness or melancholy, and adds emotional depth, contrasting with the flowers and the symbol of freedom and resistance that Marianne traditionally embodies. Acrylic paint and tissue paper on 92x73 cm canvas (linen). Varnish finish.

  • About this artist

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    Concept

    Anne Robin, a painter based in the Paris region, has been exhibiting in France and abroad since 2014 in salons, exhibitions and galleries. Halfway between figurative and abstract, her work aims to bring out feelings and emotions through antagonisms. Indeed, her favorite themes are contrasts between somewhat contradictory cohabitations, such as the coldness of cities softened by the surrounding nature, the roundness of waves and clouds found in abstract straight lines, or women. Not forgetting, at times, the liveliness of liberating abstraction. Tingling with ideas, she finds her own ways of realizing and showcasing them. On canvas or other support, she paints in acrylic or mixed media, often with added materials, and gold, symbol of brilliance, is frequently found in different forms: paint, pure pigments, leaf... She paints as she is, that is, without pretension, with her faults and strengths, but admits to making a point of producing highly personal works, in a style not found elsewhere.

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