Painting worked in silence, on the noises of the study.
The work begins with a series of very diluted washes, without any prior idea. A series of stains with pure persian yellow pigment and a series of strokes with Chinese ink were worked on the washes. At this moment the work begins to flow naturally towards plant forms, with flowers, leaves and plants in different formats and contexts. The composition progresses, with multiple layers seeking to find a certain harmony and an interesting relationship between the different elements of the painting.
The flowers finally emerge from stains and strokes almost spontaneously and between them they are grouped in different fragments of the work, building a kind of cut-out mosaic, unfinished or partially erased.
Sides painted in black.
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