The painting from the 2022 project "Symbols of Non-Existence" portrays a deeply personal and mythic vision of the Neolithic Venus, symbolizing the pro-mother of all living things. This artwork uniquely blends the archetypal image of the ancient Venus with a tribute to the artist's own mother, intertwining universal and personal dimensions of mother
At the heart of the composition is the figure of the Venus, rendered with the characteristic rounded and fertile forms that denote life-giving power and abundance. She is adorned with intricate patterns and ancient symbols that evoke the rich heritage of Neolithic art, underscoring her role as the primordial source of all life.
In a poignant and intimate touch, the Venus's features bear a resemblance to the artist's mother. Her face, though idealized, carries the warmth, wisdom, and nurturing presence that one associates with a beloved maternal figure. This fusion creates a bridge between the timeless archetype of the Venus an
The background is a vibrant tapestry of earthy tones and vivid hues, suggestive of the natural world's vitality and fecundity. Organic shapes and swirling motifs encircle the Venus, symbolizing the interconnectedness of life and the nurturing embrace of nature. These elements highlight the Venus as both a universal mother and a personal symbol of the artist's lineage.
Light and shadow are masterfully employed to cast a divine aura around the Venus, enhancing her sacred and eternal presence. The artist's technique melds traditional and contemporary styles, creating a dialogue between the ancient past and modern sensibilities.
Overall, this painting from the "Symbols of Non-Existence" project stands as a powerful homage to the Neolithic Venus and the artist's mother. It celebrates the eternal essence of motherhood, bridging the universal and the personal, the ancient and the contemporary, in a moving tribute to the origins and continuity of life.
