Concept
The urge to visualize "poetic things" like music, which are invisible to the eye but firmly present in the changing times and the daily flow of time.
For example, the concept of "time," which progresses from the past to the future, is not displayed as a one-way arrow from the past to the future.
It is "just there" as if it surrounds the surroundings in which it exists.
In my masterpiece
Time to cling" is my masterpiece.
The metallic image of the "concept of time" clings to the seemingly immovable bark.
As we are tossed around by information and the evolution of the Internet, the way we perceive things is becoming more uniform.
We have already been drilled from over our heads with the fundamental education and environment for thinking, so we speak "words" to maintain balance.
I hope that the works produced by "SOU" will trigger "change" in our casual daily lives.
With this in mind, I hope to express the world that my inner poesie points to.
GAZE
Stare your eyes
Open your eyes
▪️Curator Reviews
SOU is a gifted and creative artist with an abstract and design flair. His work is overwhelming and intoxicating.
aesthetic. Everything is designed to not only please the eye, but to allow the viewer to identify with the work.
Conveying feelings and emotions; SOU has moved from the world of design to the world of art, his taste for decoration has changed
and the composition of the universe is evident in each of his pieces. abstract and decorative intertwining, creating new combinations and
textures. The images he creates are poetic and seem to drift lightly through the thoughts of the mind. The colors wander
through space, unconstrained and unencumbered. Colors, like souls, float in an environment that explains
shapes and creates new combinations. In the work "Midnight Camouflage," swirls of bright colors take over the canvas.
Brush strokes come in different sizes. In the lower section, white colors give light and mix with other colors.
It creates an impulsive movement, like two waves of the ocean colliding and breaking. The higher you go, the more there is.
The brushstrokes are unique and well-drawn. At the top, golden clouds of color hang freely from top to bottom. The
the material no longer has boundaries; the sky and the sea blend together to create a whole. The colors are metallic and vibrant. Time stands
Still, or perhaps it was always evanescent. Everything blends in and only colorful, overwhelming chaos remains. In
"Eros," the gold colors return to form the backdrop for an energetic explosion of reds, pinks, and purples. with warm colors.
Which Negro is about to emerge as unbearable; SOU highlights the different aspects of love and the overwhelming feeling of
chaos. It suddenly explodes and expands, destined to expand in time and space.
There is a dual texture to the color.
It appears powdery, but in certain areas it is diluted with water, giving it movement and eliminating static electricity. Love is hard to find.
Since the concept expresses the whole, the artist decided to deal with a part of this emotion: eros, love. Eros is
A fire that cannot be extinguished, destined to burn. The choice of warm colors, which explode and create a whirlwind, not only
color, but also emotion, is appropriate. In "Beyond the line," the artist instead invites the viewer to push the envelope
reality, to separate oneself from the ordinary in order to seek the extraordinary. One must go beyond the objective view
things, explore the unknown, and discover the unexpected. We must transcend the limits we have set for ourselves in order to
Represented by the white
vertical brushstrokes, there is a world to be discovered. Artists represent this world in color.
White, black, and gray that oppress the imagination and creativity; SOU communicates through figurative language and
art and painting skills. He moves spontaneously on the canvas, leaving sharp and recognizable signs of his passing
brush strokes. The artist is able to express his inner poetry and communicate it to the viewer.
He invites us to see new perspectives, to
Overcoming our limitations can change the way we look at things.
SOU
Art Curator Ilaria Falchetti
